March 23, 2022

National Gallery of Canada

National Gallery of Canada

Musรฉe des beaux-arts du Canada

์บ๋‚˜๋‹ค ๊ตญ๋ฆฝ๋ฏธ์ˆ ๊ด€


์บ๋‹ค๋‹ค ์˜จํƒ€๋ฆฌ์˜ค(Ontario) ์ฃผ ์˜คํƒ€์™€(Ottawa) ์‹œ์— ์œ„์น˜ํ•œ ์บ๋‚˜๋‹ค ๊ตญ๋ฆฝ๋ฏธ์ˆ ๊ด€์ž…๋‹ˆ๋‹ค. ๊ฑด์ถ•๋ฉด์ ์€ 46,621 ์ œ๊ณฑ๋ฏธํ„ฐ์ด๋ฉฐ, ๋ฏธ์ˆ  ์ „์‹œ๋กœ ์‚ฌ์šฉ๋˜๋Š” ๊ณต๊ฐ„์€ 12,400 ์ œ๊ณฑ๋ฏธํ„ฐ์ž…๋‹ˆ๋‹ค.


1880๋…„ ํ˜‘ํšŒ๊ฐ€ ์„ค๋ฆฝ๋˜์—ˆ์œผ๋ฉฐ, ์ƒˆ๋กœ์šด ๋ฐœ๋”ฉ์œผ๋กœ๋Š” 1988๋…„์— ์ด์ „ํ•˜์˜€์Šต๋‹ˆ๋‹ค. ๋ฏธ์ˆ ๊ด€ ์•ž ๊ด‘์žฅ์— ์„œ์žˆ๋Š” ๊ฑฐ๋Œ€ํ•œ ๊ฑฐ๋ฏธ ๋™์ƒ์ธ ๋งˆ๋ง(Maman)์ด ์ธ์ƒ์ ์ด์ฃ .


93,000์  ์ด์ƒ์˜ ์ž‘ํ’ˆ์„ ์†Œ์žฅํ•˜๊ณ  ์žˆ์œผ๋ฉฐ, ์†Œ์žฅํ’ˆ์€ ์œ ๋Ÿฝ, ๋ฏธ์ฃผ, ์•„์‹œ์•„, ์บ๋‚˜๋‹ค ์ž‘๊ฐ€๋“ค์˜ ์ž‘ํ’ˆ ๋ฐ ์›์ฃผ๋ฏผ๋“ค์˜ ์ž‘ํ’ˆ ๋“ฑ์œผ๋กœ ๊ตฌ์„ฑ๋˜์–ด ์žˆ์Šต๋‹ˆ๋‹ค.


์บ๋‚˜๋‹ค ์ž‘๊ฐ€์˜ ์ž‘ํ’ˆ(Canadian collection)์œผ๋กœ๋Š” 18์„ธ๊ธฐ ๋ถ€ํ„ฐ 1990๋…„๋Œ€ ๊นŒ์ง€์˜ ์ž‘ํ’ˆ์„ ์†Œ์žฅํ•˜๊ณ  ์žˆ์œผ๋ฉฐ, ํ’๊ฒฝํ™”๊ฐ€ ํ†ฐ ํ†ฐ์Šจ(Tom Thomson)์˜ ๋ถ์ชฝ ๊ฐ•(Northern River, 1914-1915)๊ณผ ๋ด„์˜ ์–ผ์Œ(Spring Ice, 1915-1916) ๋“ฑ์ด ๋Œ€ํ‘œ์ ์ž…๋‹ˆ๋‹ค.


ํ˜„๋Œ€ ์˜ˆ์ˆ ์ž‘ํ’ˆ(contemporary collection) ์ค‘์—๋Š” 1999๋…„ ๋ฏธ์ˆ ๊ด€์—์„œ ๊ตฌ์ž…ํ•œ ๋ฃจ์ด์ฆˆ ๋ถ€๋ฅด์ฃผ์•„(Louise Bourgeois)์˜ ๊ฑฐ๋Œ€ํ•œ ๊ฑฐ๋ฏธ ๋™์ƒ ๋งˆ๋ง(Maman, 1999)์ด ์œ ๋ช…ํ•ฉ๋‹ˆ๋‹ค. ๋งˆ๋ง์€ ๋ฏธ์ˆ ๊ด€ ์•ž ๊ด‘์žฅ์— ์„ค์น˜๋˜์–ด ์žˆ์Šต๋‹ˆ๋‹ค.


์œ ๋Ÿฝ ์ž‘ํ’ˆ(European collection) ์ค‘์—๋Š” ๋นˆ์„ผํŠธ ๋ฐ˜ ๊ณ ํ(Vincent van Gogh)์˜ ์•„์ด๋ฆฌ์Šค(

Iris, 1889), ํด๋กœ๋“œ ๋ชจ๋„ค(Claude Monet)์˜ ์›Œํ„ธ๋ฃจ ๋‹ค๋ฆฌ(Waterloo Bridge, Sun Through Fog; 1903), ๊ตฌ์Šคํƒ€ํ”„ ํด๋ฆผํŠธ(Gustav Klimt)์˜ ํฌ๋ง(Hope I, 1903) ๋“ฑ์ด ์ž˜ ์•Œ๋ ค์ ธ ์žˆ์Šต๋‹ˆ๋‹ค. 


๊ทธ ์™ธ์—๋„ ๋งˆํ‹ฐ์Šค๋ฅผ ์ข‹์•„ํ•œ๋‹ค๋ฉด, ์•™๋ฆฌ ๋งˆํ‹ฐ์Šค(Henri Matisse)์˜ ๋…ธ๋ž€ ์˜ค๋‹ฌ๋ฆฌ์Šคํฌ(Yellow Odalisque, 1926)๋„ ์žˆ๊ณ , ๊ฐœ์ธ์ ์œผ๋กœ๋Š” ์นด๋ฏธ์œ  ํ”ผ์‚ฌ๋กœ(Camille Pissarro)์˜ ์—๋ผ๋‹ˆ์˜ ๊ฑด์ดˆ ์ˆ˜ํ™•(Hay Harvest at ร‰ragny, 1901)๋„ ์ข‹์•„ํ•ฉ๋‹ˆ๋‹ค.


Vincent van Gogh (1853–1890), Iris, May 1889, oil on cardboard mounted on canvas, 62.2 x 48.3 cm, National Gallery of Canada, Ottawa (F601) 

๊ณ ํ์˜ ํ•œ ์†ก์ด ์•„์ด๋ฆฌ์Šค(The Iris)๋Š” ์•„์ด๋ฆฌ์Šค๋ฅผ ๊ทธ๋ฆฐ ๋‘ ๋ฒˆ์งธ ์ž‘ํ’ˆ์œผ๋กœ ์•„์ด๋ฆฌ์Šค๋“ค์ด ๋ชจ๋‘ ๋‹ค ํ™œ์ง ํ”ผ๊ธฐ ์ „์— ๋จผ์ € ํ•€ ์•„์ด๋ฆฌ์Šค ํ•œ ์†ก์ด๋ฅผ ์ง‘์ค‘ํ•ด์„œ ๊ทธ๋ฆฐ ๊ฒƒ์œผ๋กœ ์ถ”์ •๋ฉ๋‹ˆ๋‹ค. ๋ฐฐ๊ฒฝ์˜ ํ’€๋“ค์˜ ๋ถ“ํ„ฐ์น˜๋Š” ๋งˆ์น˜ ํ’€๋“ค์ด ์•„์ด๋ฆฌ์Šค๋ฅผ ํ–ฅํ•˜๋Š” ํ–‡์‚ด์ฒ˜๋Ÿผ ๋А๋ผ๊ฒŒ ํ•ฉ๋‹ˆ๋‹ค.

Camille Pissarro (1830–1903), Hay Harvest at ร‰ragny, 1901, oil on canvas, 53.9 x 64.7 cm, National Gallery of Canada, Ottawa


Claude Monet (1840–1926), Waterloo Bridge: the Sun in a Fog, 1903, oil on canvas, 73.7 x 100.3 cm, National Gallery of Canada, Ottawa

๋ชจ๋„ค์˜ ์›Œํ„ธ๋ฃจ ์—ฐ์ž‘ ์ค‘ ํ•˜๋‚˜์ธ ์›Œํ„ธ๋ฃจ ๋‹ค๋ฆฌ: ์•ˆ๊ฐœ ์† ํƒœ์–‘(Waterloo Bridge: the Sun in a Fog, 1903)์€ ์ง™๊ฒŒ ๋‚€ ์•ˆ๊ฐœ ๋’ค๋กœ ๋ณด์ด๋Š” ํƒœ์–‘์˜ ๋ชจ์Šต์„ ์ž˜ ํ‘œํ˜„ํ•˜๊ณ  ์žˆ์Šต๋‹ˆ๋‹ค.


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