Arts, Vincent van Gogh

Arts, Vincent van Gogh

"I dream my painting and then I paint my dream."

- Vincent Willem van Gogh

This quote is attributed to the famous artist Vincent van Gogh. It reflects his creative process and the deep connection between his imagination and his art. Essentially, it means that he envisions his artwork in his dreams or imagination first, and then he brings those visions to life through his paintings. It’s a beautiful way of expressing how his inner world and dreams inspire his artistic creations.

나는 나의 그림을 꿈꾸고, 나의 꿈을 그린다”

- 빈센트 빌렘 반 고흐

이 문장은 유명한 예술가 빈센트 반 고흐의 명언입니다. 그의 창작 과정과 상상력과 예술 사이의 깊은 연관성을 반영합니다. 그는 꿈이나 상상 속에서 작품을 먼저 구상한 다음 그림을 통해 그 비전을 현실화한다는 뜻입니다. 이는 그의 내면과 꿈이 어떻게 예술적 창작물에 영감을 주는지를 표현하는 아름다운 방식입니다.

Painting, Arts, Vincent van Gogh, Quotes, Quotations

Arts in 1524

Arts in 1524

Dosso Dossi, Jupiter, Mercury and Virtue, 1524, oil on canvas, 111.3 x 150 cm, Wawel Castle, Poland

Dosso Dossi, Jupiter, Mercury and Virtue, 1524, oil on canvas, 111.3 x 150 cm, Wawel Castle, Poland

Jupiter in Arts

Jupiter in Arts

Dosso Dossi, Jupiter, Mercury and Virtue, 1524, oil on canvas, 111.3 x 150 cm, Wawel Castle, Poland

Dosso Dossi, Jupiter, Mercury and Virtue, 1524, oil on canvas, 111.3 x 150 cm, Wawel Castle, Poland

Arts in 1480

Arts in 1480

산드로 보티첼리(Sandro Botticelli, c. 1445–1510), La Primavera (Spring), c. 1480, 패널에 템페라(tempera on panel), 203 x 314 cm, 우피치미술관(Galleria degli Uffizi, Florence)

산드로 보티첼리(Sandro Botticelli, c. 1445–1510), La Primavera (Spring), c. 1480, 패널에 템페라(tempera on panel), 203 x 314 cm, 우피치미술관(Galleria degli Uffizi, Florence)

Jacques-Louis David

Jacques-Louis David

Jacques-Louis David (1748-1825) was a prominent French painter known for his Neoclassical style, which marked a shift away from the Rococo frivolity towards classical austerity and heightened emotion. His works, such as “Oath of the Horatii” and “The Death of Marat,” reflect his support for the French Revolution and his close association with revolutionary leaders like Maximilien Robespierre. Later, he became the official painter for Napoleon, developing the Empire style characterized by warm Venetian colors. David’s influence extended through his many pupils, making him a significant figure in early 19th-century French art.

자크 루이 다비드(1748-1825)는 신고전주의 양식으로 유명한 프랑스의 저명한 화가로, 로코코의 경박함에서 벗어나 고전적인 긴축과 고조된 감성으로 전환한 화가입니다. '호라티의 맹세'와 '마라트의 죽음'과 같은 그의 작품에는 프랑스 혁명에 대한 지지와 막시밀리앙 로베스피에르 같은 혁명 지도자들과의 긴밀한 관계가 반영되어 있습니다. 이후 그는 나폴레옹의 공식 화가가 되어 따뜻한 베네치아 색채가 특징인 제국주의 스타일을 발전시켰습니다. 다비드의 영향력은 많은 제자들을 통해 확장되어 19세기 초 프랑스 미술의 중요한 인물이 되었습니다.

Jacques-Louis David, Cupid and Psyche, 1817, oil on canvas, 184.2 x 241.6 cm, Cleveland Museum of Art, Cleveland, Ohio

Jacques-Louis David, Cupid and Psyche, 1817, oil on canvas, 184.2 x 241.6 cm, Cleveland Museum of Art, Cleveland, Ohio

“Love and Psyche,” also known as “Cupid and Psyche,” is an 1817 painting by Jacques-Louis David, currently housed in the Cleveland Museum of Art. Created during David’s exile in Brussels, the painting was commissioned by the patron and collector Gian Battista Sommariva. The artwork depicts the mythological figures Cupid and Psyche, exploring the conflict between idealized love and physical reality. David’s portrayal of Cupid as an ungainly teenager, rather than the traditional idealized adolescent, was a deliberate departure from conventional representations. This painting marked a significant shift in David’s style, incorporating realism and a more nuanced approach to mythological themes.

'큐피드와 프쉬케'라고도 알려진 '사랑과 프쉬케'는 자크 루이 다비드의 1817년 작품으로, 현재 클리블랜드 미술관에 소장되어 있습니다. 다비드가 브뤼셀에 있을 때 그린 이 그림은 후원자이자 수집가인 지안 바티스타 소마리바의 의뢰로 제작되었습니다. 이 작품은 신화 속 인물인 큐피드와 프시케를 묘사하여 이상화된 사랑과 물리적 현실 사이의 갈등을 탐구합니다. 데이비드는 큐피드를 기존의 이상화된 청소년이 아닌 어설픈 십대로 묘사했는데, 이는 기존의 표현에서 의도적으로 벗어난 것이었습니다. 이 그림은 사실주의와 신화적 주제에 대한 보다 미묘한 접근 방식을 통합하여 데이비드의 스타일에 중요한 변화를 가져왔습니다.

Arts in 1806

Arts in 1806

Constance Mayer (1775-1821), The Sleep of Venus and Cupid, 1806, oil on canvas, 97 x 145 cm, The Wallace Collection, London

Constance Mayer (1775-1821), The Sleep of Venus and Cupid, 1806, oil on canvas, 97 x 145 cm, The Wallace Collection, London

Sleeping 2 (Sleep in Arts)

Sleeping 2 (Sleep in Arts)

Constance Mayer (1775-1821), The Sleep of Venus and Cupid, 1806, oil on canvas, 97 x 145 cm, The Wallace Collection, London

Constance Mayer (1775-1821), The Sleep of Venus and Cupid, 1806, oil on canvas, 97 x 145 cm, The Wallace Collection, London

Ladies in Arts

Ladies in Arts

Albert Lynch (1860-1950), Portrait Of An Elegant Lady, Unknown, oil on canvas, 46.4 x 66 cm

Albert Lynch (1860-1950), Portrait Of An Elegant Lady, Unknown, oil on canvas, 46.4 x 66 cm

Life 3 - Paintings

Life 3 - Paintings

The newspaper

The drawing paper or

The canvas

On different bases

Crayons

Paint Colors or

Oil Colors

With different tools

We paint

Our own pictures of life

On the different backgrounds

With the different tools

We are the ones

Painting the pictures

With cheap materials

We can make

Crude but beautiful paintings

With expensive materials

We can make

Worthless and useless garbage

인생 3 - 그림

누구는 신문지

누구는 도화지

누구는 캔버스

서로 다른 바탕 위에

누구는 크레파스

누구는 그림물감

누구는 유채물감

서로 다른 도구로

우리는 저마다

인생이라는 그림을 그린다

바탕이 다르고

도구도 다르지만

그림을 그리는 것은

내가 된다

싸구려 재료로

투박하지만 아름다운 그림이

나올 수도 있고

값비싼 재료로

한뭉터기의 쓰레기가

나올 수도 있다

The Wallace Collection, Manchester Square, London, United Kingdom

The Wallace Collection, Manchester Square, London, United Kingdom

The Wallace Collection is a museum in London occupying Hertford House in Manchester Square, the former townhouse of the Seymour family, Marquesses of Hertford. It is named after Sir Richard Wallace, who built the extensive collection, along with the Marquesses of Hertford, in the 18th and 19th centuries.

Constance Mayer (1775-1821), The Sleep of Venus and Cupid, 1806, oil on canvas, 97 x 145 cm, The Wallace Collection, London

Constance Mayer (1775-1821), The Sleep of Venus and Cupid, 1806, oil on canvas, 97 x 145 cm, The Wallace Collection, London

Thomas Lawrence (1769-1830), Margaret, Countess of Blessington, 1822, oil on canvas, 91 x 67 cm, The Wallace Collection

Thomas Lawrence (1769-1830), Margaret, Countess of Blessington, 1822, oil on canvas, 91 x 67 cm, The Wallace Collection

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[1] https://en.wikipedia.org/wiki/Wallace_Collection

Marguerite Gardiner in Arts

Marguerite Gardiner in Arts

Thomas Lawrence (1769-1830), Margaret, Countess of Blessington, 1822, oil on canvas, 91 x 67 cm, The Wallace Collection

Thomas Lawrence (1769-1830), Margaret, Countess of Blessington, 1822, oil on canvas, 91 x 67 cm, The Wallace Collection

Arts in 1591

Arts in 1591

Giuseppe Arcimboldo (1527-1593), Rudolf II of Habsurg as Vertumnus, 1591, oil on panel, 70 x 58 cm, Skokloster Castle

Giuseppe Arcimboldo (1527-1593), Rudolf II of Habsurg as Vertumnus, 1591, oil on panel, 70 x 58 cm, Skokloster Castle

Emperor Rudolf II in Arts

Emperor Rudolf II in Arts

Giuseppe Arcimboldo (1527-1593), Rudolf II of Habsurg as Vertumnus, 1591, oil on panel, 70 x 58 cm, Skokloster Castle

Giuseppe Arcimboldo (1527-1593), Rudolf II of Habsurg as Vertumnus, 1591, oil on panel, 70 x 58 cm, Skokloster Castle

Vertumnus in Arts

Vertumnus in Arts

Giuseppe Arcimboldo (1527-1593), Rudolf II of Habsurg as Vertumnus, 1591, oil on panel, 70 x 58 cm, Skokloster Castle

Giuseppe Arcimboldo (1527-1593), Rudolf II of Habsurg as Vertumnus, 1591, oil on panel, 70 x 58 cm, Skokloster Castle

Giuseppe Arcimboldo

Giuseppe Arcimboldo

Giuseppe Arcimboldo, also spelled Arcimboldi (Italian: [dʒuˈzɛppe artʃimˈbɔldo]; 5 April 1527 – 11 July 1593), was an Italian Renaissance painter best known for creating imaginative portrait heads made entirely of objects such as fruits, vegetables, flowers, fish and books.[1]

Giuseppe Arcimboldo (1527-1593), Rudolf II of Habsurg as Vertumnus, 1591, oil on panel, 70 x 58 cm, Skokloster Castle

Giuseppe Arcimboldo (1527-1593), Rudolf II of Habsurg as Vertumnus, 1591, oil on panel, 70 x 58 cm, Skokloster Castle

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[1] https://en.wikipedia.org/wiki/Giuseppe_Arcimboldo

Christ Child in Arts

Christ Child in Arts

William-Adolphe Bouguereau (1825-1905), Virgin with Angels, 1881, oil on canvas, 213.4 x 152.4 cm, Forest Lawn Museum, Glendale, California, US

William-Adolphe Bouguereau (1825-1905), Virgin with Angels, 1881, oil on canvas, 213.4 x 152.4 cm, Forest Lawn Museum, Glendale, California, US

Virgin Mary in Arts

Virgin Mary in Arts

William-Adolphe Bouguereau (1825-1905), Virgin with Angels, 1881, oil on canvas, 213.4 x 152.4 cm, Forest Lawn Museum, Glendale, California, US

William-Adolphe Bouguereau (1825-1905), Virgin with Angels, 1881, oil on canvas, 213.4 x 152.4 cm, Forest Lawn Museum, Glendale, California, US

Rainbow in Arts

Rainbow in Arts

Willem Roelofs (1822-1897), The Rainbow, 1875, oil on canvas, h 96.2 x w 147.7 cm, Kunstmuseum Den Haag, The Hague, Netherlands

Willem Roelofs (1822-1897), The Rainbow, 1875, oil on canvas, h 96.2 x w 147.7 cm, Kunstmuseum Den Haag, The Hague, Netherlands

Willem Roelofs (1822-1897)

Willem Roelofs (1822-1897)

네덜란드의 화가(Dutch painter)인 빌렘 로엘로프스는 수채화가(water-colourist), 동판화가(etcher), 석판화가(lithographer), 소묘화가(draughtsman)였습니다.

Willem Roelofs (1822-1897), The Rainbow, 1875, oil on canvas, h 96.2 x w 147.7 cm, Kunstmuseum Den Haag, The Hague, Netherlands

Willem Roelofs (1822-1897), The Rainbow, 1875, oil on canvas, h 96.2 x w 147.7 cm, Kunstmuseum Den Haag, The Hague, Netherlands

William A. Fraser, A Wet Night, Columbus Circle, c.1897-c.1898

William A. Fraser, A Wet Night, Columbus Circle, c.1897-c.1898

William A. Fraser (c.1840-1925), A Wet Night, Columbus Circle, c.1897-c.1898, Gelatin silver print, h 50.8 x w 41.91 cm, The Nelson-Atkins Museum of Art, Kansas City, Missouri, United States

William A. Fraser (c.1840-1925), A Wet Night, Columbus Circle, c.1897-c.1898, Gelatin silver print, h 50.8 x w 41.91 cm, The Nelson-Atkins Museum of Art, Kansas City, Missouri, United States

Artist
William A. Fraser (c.1840 - 1925)

Title
A Wet Night, Columbus Circle

Date
c.1897 - c.1898

Medium
Gelatin silver print

Dimensions
h 50.8 x w 41.91 cm

Collection
The Nelson-Atkins Museum of Art, Kansas City, Missouri, United States

Anton Mauve

Anton Mauve

Anton Mauve, The Return of the Flock, Laren, c. 1886-1887, oil on canvas, h 100.25 x w 161.42 cm, Philadelphia Museum of Art

Anton Mauve, The Return of the Flock, Laren, c. 1886-1887, oil on canvas, h 100.25 x w 161.42 cm, Philadelphia Museum of Art