April 05, 2021

Paul Cรฉzanne (1839-1906)

Paul Cรฉzanne (1839–1906)
ํด ์„ธ์ž”

ํด ์„ธ์ž”์€ 1839๋…„ 1์›” 19์ผ ํƒœ์–ด๋‚˜์„œ 1906๋…„ 10์›” 22์ผ ์‚ฌ๋งํ•œ ํ”„๋ž‘์Šค ํ›„๊ธฐ์ธ์ƒ์ฃผ์˜(Post-Impressionist) ํ™”๊ฐ€์ž…๋‹ˆ๋‹ค. 19์„ธ๊ธฐ ์ธ์ƒํŒŒ์—์„œ 20์„ธ๊ธฐ ์ž…์ฒดํŒŒ๋กœ ๋„˜์–ด๊ฐ€๋Š”๋ฐ ์ค‘์š”ํ•œ ์—ญํ• ์„ ํ•˜์˜€์Šต๋‹ˆ๋‹ค. 20์„ธ๊ธฐ ๋ฏธ์ˆ ์˜ ํฐ ํš์„ ๊ทธ์€ ๊ฒƒ์œผ๋กœ ํ‰๊ฐ€๋˜๋Š” ๋งˆํ‹ฐ์Šค(Henri Matisse, 1869-1954)์™€ ํ”ผ์นด์†Œ(Pablo Picasso, 1881-1973) ๋ชจ๋‘ ์„ธ์ž”์„ ์šฐ๋ฆฌ๋“ค์˜ ์•„๋ฒ„์ง€(the father of us all)๋ผ๊ณ  ๋ถˆ๋ €๋‹ค๊ณ  ํ•ฉ๋‹ˆ๋‹ค. ์•ผ์ˆ˜ํŒŒ, ์ž…์ฒดํŒŒ๋ฅผ ํฌํ•จํ•œ ํ˜„๋Œ€๋ฏธ์ˆ ์˜ ๋ชจ๋“  ์ง€ํŒŒ๊ฐ€ ์„ธ์ž”์˜ ์˜ํ–ฅ์„ ๋ฐ›์•˜๋‹ค๊ณ  ํ•  ๋งŒํ•œ ์กด์žฌ๋กœ์„œ, ๊ทผํ˜„๋Œ€ ๋ฏธ์ˆ ์˜ ์•„๋ฒ„์ง€๋ผ๊ณ  ๋ถˆ๋ฆฝ๋‹ˆ๋‹ค.

1863๋…„ ๋‚™์„ ์ „์— ์ถœํ’ˆํ•˜๋ฉฐ, ์—๋‘์•„๋ฅด ๋งˆ๋„ค, ์นด๋ฏธ์œ  ํ”ผ์‚ฌ๋กœ ๋“ฑ๊ณผ ํ•จ๊ป˜ ์ž‘ํ’ˆ์„ ์ „์‹œํ•˜์˜€์Šต๋‹ˆ๋‹ค. ์ดํ›„, 1874๋…„ ์ œ1ํšŒ ์ธ์ƒํŒŒ ์ „์‹œํšŒ์—๋„ ์ฐธ์—ฌํ•˜๊ณ , ์ธ์ƒํŒŒ์™€ ๊ฐ™์ด ๋น›์— ๊ด€์‹ฌ์„ ๊ฐ€์ง€๊ฒŒ ๋ฉ๋‹ˆ๋‹ค. ๊ทธ๋Ÿฌ๋‹ค๊ฐ€ 1877๋…„ ์ œ3ํšŒ ์ธ์ƒํŒŒ ์ „์‹œํšŒ ์ดํ›„ ๊ทธ๋Š” ์ธ์ƒ์ฃผ์˜์™€ ๋‹ค๋ฅธ ์ž์‹ ๋งŒ์˜ ํ™”ํ’์„ ๋ฐœ์ „์‹œ์ผœ ๋‚˜๊ฐ‘๋‹ˆ๋‹ค.

๊ทธ๋Š” ๋น›์˜ ๋ณ€ํ™”๋ฅผ ๋„˜์–ด์„œ ์‚ฌ๋ฌผ์˜ ๋ณธ์งˆ์  ์ธก๋ฉด์— ๊ด€์‹ฌ์„ ๊ฐ€์กŒ์œผ๋ฉฐ, ๋ชจ๋“  ํ˜•ํƒœ๋ฅผ ์›๊ธฐ๋‘ฅ, ๊ตฌ, ์›๋ฟ” ๋“ฑ ๊ธฐํ•˜ํ•™์  ๋ชจ์–‘์œผ๋กœ ํ•ด์„ํ•œ ๋…์ž์ ์ธ ํ™”ํ’์„ ๋ฐœ๋‹ฌ์‹œํ‚ต๋‹ˆ๋‹ค. ์ด๋Ÿฌํ•œ ๊ตฌ์กฐ์™€ ํ˜•์ƒ์— ๋Œ€ํ•œ ๊ด€์ ์€ ํ›„์— ์‚ฌ๋ฌผ์„ ํ•ด์ฒดํ•˜์—ฌ ๋‹ค์‹œ ๊ตฌ์„ฑํ•˜๋Š” ์ž…์ฒดํŒŒ๋‚˜ ์ถ”์ƒํ™”์— ํฐ ์˜ํ–ฅ์„ ์ฃผ๊ฒŒ ๋ฉ๋‹ˆ๋‹ค.

์„ธ์ƒ์„ ๋ฐ”๊พผ 3๊ฐœ์˜ ์‚ฌ๊ณผ ๋˜๋Š” 4๊ฐœ์˜ ์‚ฌ๊ณผ์— ์ด๋ฆ„์„ ์˜ฌ๋ฆด ์ •๋„๋กœ ๊ทธ์˜ ์ž‘ํ’ˆ์€ ๋ฏธ์ˆ ์‚ฌ์— ํฐ ์˜ํ–ฅ์„ ์ฃผ์—ˆ๋‹ค๋Š” ํ‰์„ ๋ฐ›์Šต๋‹ˆ๋‹ค. ๊ทธ๋Š” ์‚ฌ๊ณผ์™€ ์˜ค๋ Œ์ง€๊ฐ€ ์žˆ๋Š” ์ •๋ฌผ(Still Life with Apples and Oranges, 1895-1900) ๋“ฑ ์‚ฌ๊ณผ๋ฅผ ๋Œ€์ƒ์œผ๋กœ ๋งŽ์€ ์ •๋ฌผํ™”๋ฅผ ๊ทธ๋ ธ๋Š”๋ฐ, ์‚ฌ๋žŒ๋“ค์€ ์„ธ์ž”์˜ ์ •๋ฌผํ™”๋ฅผ ๋ณด๋ฉด์„œ ๋ฌด๋ฏธ๊ฑด์กฐํ•œ ์ฃผ์ œ๋ฅผ ์œ„๋Œ€ํ•œ ๋ฏธ์ˆ ๋กœ ๋Œ์–ด์˜ฌ๋ ธ๋‹ค๊ณ  ํ‰์„ ํ•ฉ๋‹ˆ๋‹ค.


ํด ์„ธ์ž”(Paul Cรฉzanne), ์‚ฌ๊ณผ, ๋ณ‘, ์ˆ˜ํ”„ ๊ทธ๋ฆ‡(Nature morte ร  la soupiรจre), 1877๊ฒฝ, ์บ”๋ฒ„์Šค์— ์œ ์ฑ„(oil on canvas), 65x81.5cm, ํŒŒ๋ฆฌ(Paris), ์˜ค๋ฅด์„ธ ๋ฏธ์ˆ ๊ด€(Musรฉe d'Orsay)


ํด ์„ธ์ž”(Paul Cรฉzanne), ๊ณผ์ผ์ด ์žˆ๋Š” ์ •๋ฌผ(Boรฎte ร  lait, carafe et bol), 1879~1880, ์บ”๋ฒ„์Šค์— ์œ ์ฑ„(oil on canvas), 45x55.3cm, ์ƒํŠธํŽ˜ํ…Œ๋ฅด๋ถ€๋ฅดํฌ, ์—๋ฅด๋ฏธํƒ€์ฃผ ๋ฏธ์ˆ ๊ด€(Hermitage Museum)

Paul Cรฉzanne (1839–1906), Baigneuses(Bathers), 1879-1880, oil on canvas, 34.6 x 38.1 cm, Detroit Institute of Arts, Detroit, United States of America

Paul Cรฉzanne (1839–1906), Le Chemin qui monte (The uphill road), 1881-1882, oil on canvas, 59 x 71 cm, National Gallery of Victoria, Melbourne



Paul Cรฉzanne (1839–1906), ๋ชฉ์š•ํ•˜๋Š” ์‚ฌ๋žŒ(The Bather), 1885-1887, oil on canvas, 127 x 97 cm, The Museum of Modern Art (MoMA), New York


Paul Cรฉzanne (1839–1906), La Montagne Sainte-Victoire, c. 1887-1890, oil on canvas, 65 x 95.2 cm, Musรฉe d'Orsay, Paris



ํด ์„ธ์ž”(Paul Cรฉzanne), ์„คํƒ• ๊ทธ๋ฆ‡, ์ฃผ์ „์ž, ๊ณผ์ผ์ด ๋†“์ธ ์ ‘์‹œ(Nature morte avec pรชches et poires), 1888-1890, 61x90cm, ๋ชจ์Šคํฌ๋ฐ”(Moscow), ํ‘ธ์Šˆํ‚จ ๋ฏธ์ˆ ๊ด€(Pushkin Museum of Fine Arts)

Paul Cรฉzanne (1839–1906), Annecy Lake, 1896, oil on canvas, 64 x 79 cm, Courtauld Institute of Art 

์•ˆ์‹œ ํ˜ธ์ˆ˜(Annecy Lake, 1896)๋Š” 1896๋…„์— ์ œ์ž‘๋œ ์„ธ์ž”์˜ ํ›„๊ธฐ ์ž‘ํ’ˆ์ž…๋‹ˆ๋‹ค. ๊ทธ์˜ ์ž‘ํ’ˆ๋“ค ์ค‘ ์ž˜ ์•Œ๋ ค์ง„ ์ž‘ํ’ˆ์€ ์•„๋‹™๋‹ˆ๋‹ค๋งŒ, ์ƒ‰์ฑ„์™€ ๋ถ“ํ„ฐ์น˜์—์„œ ์„ธ์ž” ์ž‘ํ’ˆ์˜ ํŠน์ง•์ด ์ž˜ ๋‚˜ํƒ€๋‚˜์žˆ์Šต๋‹ˆ๋‹ค.



ํด ์„ธ์ž”, ์‚ฌ๊ณผ์™€ ์˜ค๋ Œ์ง€๊ฐ€ ์žˆ๋Š” ํ’๊ฒฝ(Nature morte aux pommes et aux oranges), 1895~1900, 73x92cm, ํŒŒ๋ฆฌ(Paris), ์˜ค๋ฅด์„ธ ๋ฏธ์ˆ ๊ด€(Musรฉe d'Orsay)


ํด ์„ธ์ž”(Paul Cรฉzanne), ๋ชฉ์š•ํ•˜๋Š” ์‚ฌ๋žŒ๋“ค(Les Grandes Baigneuses), 1906, ์บ”๋ฒ„์Šค์— ์œ ์ฑ„(oil on canvas), 210.5x210.8cm, ํ•„๋ผ๋ธํ”ผ์•„ ๋ฏธ์ˆ ๊ด€(Philadelphia Museum of Art)

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