February 22, 2022

Pierre-Auguste Renoir (1841-1919)

 Pierre-Auguste Renoir (1841–1919)


Pierre-Auguste Renoir (1841–1919), Claude Monet Painting in His Garden at Argenteuil, 1873, oil on canvas, 46 x 60 cm, Wadsworth Atheneum Museum of Art, Hartford, Connecticut, US

Pierre-Auguste Renoir (1841–1919), La Parisienne (The Blue Lady), 1874, oil on canvas, h160 x w105.5 cm, National Museum Cardiff, Cardiff

๋ผ ํŒŒ๋ฆฌ์ง€์•ต๋А(La Parisienne, 1874)๋Š” ํŒŒ๋ฆฌ์˜ ์—ฌ์ธ(The Parisian), ํŒŒ๋ž€ ์˜ท์„ ์ž…์€ ์—ฌ์ธ(The Blue Lady)์ด๋ผ๊ณ ๋„ ๋ถˆ๋ฆฌ๋Š” ์˜ค๊ท€์ŠคํŠธ ๋ฅด๋ˆ„์•„๋ฅด(Pierre-Auguste Renoir)์˜ ์ž‘ํ’ˆ์ž…๋‹ˆ๋‹ค. 


1874๋…„์— ์—ด๋ฆฐ ์ฒซ๋ฒˆ์งธ ์ธ์ƒ์ฃผ์˜ ์ „์‹œํšŒ์— ๋ฅด๋ˆ„์•„๋ฅด๊ฐ€ ์ถœํ’ˆํ•œ 7์ ์˜ ์ž‘ํ’ˆ ์ค‘ ํ•˜๋‚˜๋กœ ํ˜„์žฌ ์นด๋””ํ”„ ๊ตญ๋ฆฝ๋ฏธ์ˆ ๊ด€(National Museum Cardiff)์—์„œ ์†Œ์žฅ ๋ฐ ์ „์‹œํ•˜๊ณ  ์žˆ๋Š” ์ž‘ํ’ˆ ์ค‘ ๊ฐ€์žฅ ์œ ๋ช…ํ•œ ์ž‘ํ’ˆ ์ค‘ ํ•˜๋‚˜์ž…๋‹ˆ๋‹ค.


ํŒŒ๋ž€์ƒ‰ ๋“œ๋ ˆ์Šค๋ฅผ ์ž…๊ณ  ์žˆ๋Š” ์ Š์€ ์—ฌ์ธ์„ ๊ทธ๋ฆฐ ์ด ๊ทธ๋ฆผ์—๋Š” ์›๋ž˜ ์ž‘ํ’ˆ ์† ๋ฐฐ๊ฒฝ์—๋Š” ์ขŒ์ธก ์ƒ๋‹จ์— ๋ฌธ์ด, ์šฐ์ธก ์ƒ๋‹จ์—๋Š” ์ปคํŠผ์ด ๋ฐฐ๊ฒฝ์œผ๋กœ ์žˆ์—ˆ๋Š”๋ฐ, ๋ฅด๋ˆ„์•„๋ฅด๊ฐ€ ์ „์‹œํšŒ ์ถœํ’ˆ ์ „์— ์ง€์› ๋‹ค๊ณ  ํ•ฉ๋‹ˆ๋‹ค. ๋ฐฐ๊ฒฝ์„ ์ง€์›Œ์„œ ๊ฐ€์šด๋ฐ ์ธ๋ฌผ์— ์ง‘์ค‘ํ•  ์ˆ˜ ์žˆ๊ฒŒ ํ•˜๋ ค๊ณ  ํ•œ ๊ฒƒ ๊ฐ™์Šต๋‹ˆ๋‹ค. ๋ฐฐ๊ฒฝ์€ ์–‡๊ณ , ์ž์„ธํ•œ ๋ฌ˜์‚ฌ๊ฐ€ ์ƒ๋žต๋˜์–ด ์žˆ๋Š” ๋ฐ˜๋ฉด, ์—ฌ์ธ์ด ์ž…๊ณ  ์žˆ๋Š” ํŒŒ๋ž€์ƒ‰ ๋“œ๋ ˆ์Šค๋Š” ์ž์„ธํžˆ ๋ฌ˜์‚ฌ๋˜์–ด ์žˆ์ฃ .


Pierre-Auguste Renoir (1841–1919), Claude Monet, 1875, oil on canvas, 85 x 60 cm, Musรฉe d'Orsay, Paris


February 21, 2022

National Gallery of Ireland, IE

National Gallery of Ireland, IE

Gailearaรญ Nรกisiรบnta na hร‰ireann

์•„์ผ๋žœ๋“œ ๊ตญ๋ฆฝ๋ฏธ์ˆ ๊ด€

๋ฉ”๋ฆฌ์˜จ ์Šคํ€˜์–ด ๊ตญ๋ฆฝ ๋ฏธ์ˆ ๊ด€


์ž…์žฅ๋ฃŒ: ๋ฌด๋ฃŒ

https://www.nationalgallery.ie/


์•„์ผ๋žœ๋“œ ๋”๋ธ”๋ฆฐ์— ์œ„์น˜ํ•œ ๋ฏธ์ˆ ๊ด€์œผ๋กœ 1854๋…„ ์„ค๋ฆฝ๋˜์—ˆ์œผ๋ฉฐ, ์ผ๋ฐ˜์—๊ฒŒ ๊ณต๊ฐœ๋œ ๊ฒƒ์€ 10๋…„ ํ›„์ธ 1864๋…„์ด๋ผ๊ณ  ํ•ฉ๋‹ˆ๋‹ค. ๊ฐœ๊ด€ ๋‹น์‹œ ์†Œ์žฅํ•˜๊ณ  ์žˆ๋˜ ์ž‘ํ’ˆ์€ ํšŒํ™” 112์ ์— ๋ถˆ๊ณผํ–ˆ๋‹ค๊ณ  ํ•ฉ๋‹ˆ๋‹ค.


ํ˜„์žฌ๋Š” ์•ฝ 14,000์ ์˜ ์˜ˆ์ˆ  ์ž‘ํ’ˆ์„ ์†Œ์žฅํ•˜๊ณ  ์žˆ์Šต๋‹ˆ๋‹ค. ์ด ์ค‘ ์œ ํ™”(oil painting) 2,500์ , ์†Œ๋ฌ˜(drawing) 5,000์ , ํŒํ™”(print) 5,000์  ๋“ฑ์ด ์žˆ์œผ๋ฉฐ, ๊ทธ ์™ธ์— ์กฐ๊ฐ, ๊ฐ€๊ตฌ ๋“ฑ๋„ ์žˆ์Šต๋‹ˆ๋‹ค. 


์•„์ผ๋žœ๋“œ ๋ฐ ์œ ๋Ÿฝ์˜ ํ›„๊ธฐ ์ธ์ƒ์ฃผ์˜ ํ™”๊ฐ€์˜ ์ž‘ํ’ˆ์„ ์ฃผ๋กœ ์†Œ์žฅ ๋ฐ ์ „์‹œํ•˜๊ณ  ์žˆ์œผ๋ฉฐ, ์ดํƒˆ๋ฆฌ์•„ ๋ฐ”๋กœํฌ(Italian Baroque) ๋ฐ ๋„ค๋œ๋ž€๋“œ ํ™ฉ๊ธˆ๊ธฐ(Dutch Golden Age) ํšŒํ™” ์ž‘ํ’ˆ๋„ ์œ ๋ช…ํ•ฉ๋‹ˆ๋‹ค.


The Millennium Wing of the National Gallery of Ireland. Wikimedia Commons under the Creative Commons CC0 1.0 Universal Public Domain Dedication. Author: DubhEire

Photo by Juliet Furst on Unsplash

Jan Brueghel the Younger (1601–1678) and Peter Paul Rubens  (1577–1640), Christ in the House of Martha and Mary, c. 1628, oil on oak wood, 64 × 61.9 cm, National Gallery of Ireland, Dublin, Republic of Ireland



Jean-Antoine Watteau (1684-1721)

 Jean-Antoine Watteau (1684-1721)

์žฅ ์•™ํˆฌ์•ˆ ๋ฐ”ํ† 

์žฅ ์•™ํˆฌ์•ˆ ์™€ํ† 


์™€ํ† ๋Š” ํ”„๋ž‘์Šค ํ™”๊ฐ€๋กœ ๋กœ์ฝ”์ฝ” ์–‘์‹์˜ ๋Œ€๊ฐ€๋กœ ๋ถˆ๋ฆฝ๋‹ˆ๋‹ค. ๋‚ญ๋งŒ์ ์ธ ์ „์› ํ’๊ฒฝ์— ์šฐ์•„ํ•˜๊ฒŒ ์ฐจ๋ ค์ž…์€ ์ธ๋ฌผ๋“ค์ด ํŠน์ง•์ž…๋‹ˆ๋‹ค.


์™€ํ† ๋ฅผ ์™•๋ฆฝ ์•„์นด๋ฐ๋ฏธ์—์„œ ํšŒ์›์œผ๋กœ ๋ฐ›์•„๋“ค์ด๋ฉด์„œ ๊ทธ์˜ ์ž‘ํ’ˆ์— ๋Œ€ํ•œ ์ƒˆ๋กœ์šด ๋ถ„๋ฅ˜๊ฐ€ ํ•„์š”ํ•ด ์ ธ์„œ ์™•๋ฆฝ ์•„์นด๋ฐ๋ฏธ์—์„œ๋Š” ๊ทธ์˜ ์ž‘ํ’ˆ์„ ํŽ˜ํŠธ ๊ฐˆ๋ž‘ํŠธ(fรชte galante)๋กœ ๋ถˆ๋ €์Šต๋‹ˆ๋‹ค.


์‚ฌ๋ž‘์˜ ์—ฐํšŒ๋ผ๊ณ ๋„ ๋ถˆ๋ฆฌ๋Š” ์ด ๊ทธ๋ฆผ๋“ค์€ ์•ผ์™ธ์—์„œ ์ž˜ ์ฐจ๋ ค ์ž…์€ ๋‚จ๋…€ ์ธ๋ฌผ๋“ค์ด ๋ฐ€์–ด๋ฅผ ์†์‚ญ์ด๊ฑฐ๋‚˜ ๋…ธ๋ž˜๋ฅผ ๋ถ€๋ฅด๋ฉฐ ๋‚ญ๋งŒ์ ์œผ๋กœ ๋ณด๋‚ด๋Š” ์žฅ๋ฉด์„ ํ‘œํ˜„ํ•˜๊ณ  ์žˆ์ฃ .


Jean-Antoine Watteau (1684-1721), Pleasures of Love, c. 1718~1719, oil on canvas, 60 x 75 cm, Gemรคldegalerie Alte Meister, Dresden, Germany


National Gallery of Ireland, Dublin, Republic of Ireland

 National Gallery of Ireland, IE

Gailearaรญ Nรกisiรบnta na hร‰ireann

์•„์ผ๋žœ๋“œ ๊ตญ๋ฆฝ๋ฏธ์ˆ ๊ด€

๋ฉ”๋ฆฌ์˜จ ์Šคํ€˜์–ด ๊ตญ๋ฆฝ ๋ฏธ์ˆ ๊ด€


์ž…์žฅ๋ฃŒ: ๋ฌด๋ฃŒ

https://www.nationalgallery.ie/


์•„์ผ๋žœ๋“œ ๋”๋ธ”๋ฆฐ์— ์œ„์น˜ํ•œ ๋ฏธ์ˆ ๊ด€์œผ๋กœ 1854๋…„ ์„ค๋ฆฝ๋˜์—ˆ์œผ๋ฉฐ, ์ผ๋ฐ˜์—๊ฒŒ ๊ณต๊ฐœ๋œ ๊ฒƒ์€ 10๋…„ ํ›„์ธ 1864๋…„์ด๋ผ๊ณ  ํ•ฉ๋‹ˆ๋‹ค. ๊ฐœ๊ด€ ๋‹น์‹œ ์†Œ์žฅํ•˜๊ณ  ์žˆ๋˜ ์ž‘ํ’ˆ์€ ํšŒํ™” 112์ ์— ๋ถˆ๊ณผํ–ˆ๋‹ค๊ณ  ํ•ฉ๋‹ˆ๋‹ค.


ํ˜„์žฌ๋Š” ์•ฝ 14,000์ ์˜ ์˜ˆ์ˆ  ์ž‘ํ’ˆ์„ ์†Œ์žฅํ•˜๊ณ  ์žˆ์Šต๋‹ˆ๋‹ค. ์ด ์ค‘ ์œ ํ™”(oil painting) 2,500์ , ์†Œ๋ฌ˜(drawing) 5,000์ , ํŒํ™”(print) 5,000์  ๋“ฑ์ด ์žˆ์œผ๋ฉฐ, ๊ทธ ์™ธ์— ์กฐ๊ฐ, ๊ฐ€๊ตฌ ๋“ฑ๋„ ์žˆ์Šต๋‹ˆ๋‹ค. 


์•„์ผ๋žœ๋“œ ๋ฐ ์œ ๋Ÿฝ์˜ ํ›„๊ธฐ ์ธ์ƒ์ฃผ์˜ ํ™”๊ฐ€์˜ ์ž‘ํ’ˆ์„ ์ฃผ๋กœ ์†Œ์žฅ ๋ฐ ์ „์‹œํ•˜๊ณ  ์žˆ์œผ๋ฉฐ, ์ดํƒˆ๋ฆฌ์•„ ๋ฐ”๋กœํฌ(Italian Baroque) ๋ฐ ๋„ค๋œ๋ž€๋“œ ํ™ฉ๊ธˆ๊ธฐ(Dutch Golden Age) ํšŒํ™” ์ž‘ํ’ˆ๋„ ์œ ๋ช…ํ•ฉ๋‹ˆ๋‹ค.


Jan Brueghel the Younger (1601–1678) and Peter Paul Rubens  (1577–1640), Christ in the House of Martha and Mary, c. 1628, oil on oak wood, 64 × 61.9 cm, National Gallery of Ireland, Dublin, Republic of Ireland


Jan Brueghel the Younger (1601–1678)

Jan Brueghel the Younger (1601–1678)

Jan Brueghel le Jeune

์–€ ๋ธŒ๋ขฐํ—ฌ 2์„ธ


๋ธŒ๋ขฐํ—ฌ์€ ํ•œ๊ธ€๋กœ๋Š” ๋ธŒ๋คผํ—, ๋กœ๋งˆ ์•ŒํŒŒ๋ฒณ์œผ๋กœ๋Š” Brueghel, Bruegel, Breughel ๋“ฑ์œผ๋กœ ํ‘œํ˜„ํ•˜๊ธฐ๋„ ํ•ฉ๋‹ˆ๋‹ค. 


์–€ ๋ธŒ๋ขฐํ—ฌ 2์„ธ๋Š” ํ”Œ๋ž‘๋“œ๋ฅด ๋ฐ”๋กœํฌ(Flemish Baroque) ํ™”๊ฐ€๋กœ ๋Œ€ ์–€ ๋ธŒ๋ขฐํ—ฌ(Jan Brueghel the Elder, 1568-1625)์˜ ์•„๋“ค์ž…๋‹ˆ๋‹ค. ํ• ์•„๋ฒ„์ง€๋Š” ํ”ผํ„ฐ๋ฅด ๋ธŒ๋คผํ—(Pieter Bruegel the Elder, c. 1525-1569)์˜ ์†์ž์ด๊ธฐ๋„ ํ•˜๋‹ˆ, 3๋Œ€๊ฐ€ ์œ ๋ช…ํ•œ ํ™”๊ฐ€์ธ ์ง‘์•ˆ์ž…๋‹ˆ๋‹ค.


Brueghel์ด๋ผ๊ณ  ์ž‘ํ’ˆ์— ์„œ๋ช…์„ ํ•˜๋‹ค๊ฐ€ ์•„๋ฒ„์ง€๊ฐ€ ์‚ฌ๋งํ•˜๊ณ  ๋‚˜์„œ Breughel๋กœ ์„œ๋ช…์„ ๋ฐ”๊พธ์—ˆ๋‹ค๊ณ  ํ•ฉ๋‹ˆ๋‹ค.


ํ’๊ฒฝํ™”๋กœ ์œ ๋ช…ํ•œ๋ฐ, ํ˜ผ์ž ์™„์„ฑํ•œ ์ž‘ํ’ˆ๋“ค๋„ ์žˆ๊ณ , ๋‹ค๋ฅธ ์ž‘๊ฐ€๋“ค๊ณผ ํ˜‘์—…ํ•˜์—ฌ ์™„์„ฑํ•œ ์ž‘ํ’ˆ๋“ค๋„ ์žˆ์Šต๋‹ˆ๋‹ค.


๋งˆ๋ฅด๋‹ค์™€ ๋งˆ๋ฆฌ์•„์˜ ์ง‘์— ์žˆ๋Š” ๊ทธ๋ฆฌ์Šค๋„(Christ in the House of Martha and Mary)๋Š” ๋ฃจ๋ฒค์Šค(Peter Paul Rubens)์™€ ํ˜‘์—…์œผ๋กœ ์™„์„ฑํ•œ ์ž‘ํ’ˆ์ด๋ผ๊ณ  ํ•ฉ๋‹ˆ๋‹ค.


Jan Brueghel the Younger (1601–1678) and Peter Paul Rubens  (1577–1640), Christ in the House of Martha and Mary, c. 1628, oil on oak wood, 64 × 61.9 cm, National Gallery of Ireland, Dublin, Republic of Ireland


February 20, 2022

์‹ธ๋‹ค๊น€๋ฐฅ ์„œ์—ฌ์˜๋„์ 

์‹ธ๋‹ค๊น€๋ฐฅ ์„œ์—ฌ์˜๋„์ 
์ข…ํ•ฉ๋ถ„์‹
์„œ์šธ ์˜๋“ฑํฌ๊ตฌ ๊ตญํšŒ๋Œ€๋กœ66๊ธธ 17 1์ธต

์˜ˆ์ „๋ณด๋‹ค ๋‚˜์•„์กŒ๋‹ค๊ณ ๋Š” ํ•˜์ง€๋งŒ, ์—ฌ์ „ํžˆ ์—ฌ์˜๋„์—์„œ๋Š” ์ผ์š”์ผ์— ์‹์‚ฌํ•  ๊ณณ์„ ์ฐพ๊ธฐ๊ฐ€ ๋งˆ๋•…์น˜ ์•Š์Šต๋‹ˆ๋‹ค.

์‹ธ๋‹ค๊น€๋ฐฅ์€ ์„œ์—ฌ์˜๋„์—์„œ ๋“œ๋ฌผ๊ฒŒ ์—ฐ์ค‘๋ฌดํœด 24์‹œ๊ฐ„ ์˜์—…์„ ํ‘œ๋ฐฉํ•˜๋Š” ํ”„๋žœ์ฐจ์ด์ฆˆ ๋ถ„์‹์ง‘์ž…๋‹ˆ๋‹ค. ๊น€๋ฐฅ๋ฅ˜๋ฅผ ํฌํ•จํ•œ ๋‹ค์–‘ํ•œ ๋ถ„์‹์„ ํŒ”์ฃ .

16-17์‹œ ๋ธŒ๋ ˆ์ดํฌ ํƒ€์ž„์ด ์žˆ๊ณ , ์ผ์š”์ผ์€ 21์‹œ๊นŒ์ง€ ํ•˜๋‹ˆ๊นŒ ํŽธ์˜์ ์ฒ˜๋Ÿผ ์™„์ „ํ•œ ์—ฐ์ค‘๋ฌดํœด 24์‹œ๊ฐ„ ์˜์—…์€ ์•„๋‹ˆ์ง€๋งŒ, ์ด์ •๋„๋ฉด ํ›Œ๋ฅญํ•˜์ฃ .

๊ทธ๋ ‡์ง€๋งŒ, ์˜์—…์‹œ๊ฐ„์€ ์ฝ”๋กœ๋‚˜19 ์ดํ›„๋Š” ๋ฐฉ์—ญ์ง€์นจ์„ ์šฐ์„  ์ ์šฉ๋ฐ›์Šต๋‹ˆ๋‹ค.

๊น€๋ฐฅ์ง‘์ด๋‹ˆ ๊น€๋ฐฅ์„ ๋จน์–ด๋ณผ๊นŒ ํ–ˆ๋Š”๋ฐ, ์–ด๋А ๋ถ„์ด ์น˜์ฆˆ๊น€์น˜๋„๋ฆฌ์•ผ๋ฅผ ์ถ”์ฒœํ•˜์…”์„œ ์น˜์ฆˆ๊น€์น˜๋„๋ฆฌ์•ผ๋ฅผ ๋จน์–ด๋ดค์Šต๋‹ˆ๋‹ค.

์ผ๋‹จ ํ”„๋žœ์ฐจ์ด์ฆˆ ๋ถ„์‹์ง‘์—์„œ ๋‚˜์˜ค๋Š” ์น˜์ฆˆ๊น€์น˜๋„๋ฆฌ์•ผ์ž„์„ ๊ฐ์•ˆํ•˜๊ธฐ๋Š” ํ•ด์•ผํ•ฉ๋‹ˆ๋‹ค. ๊ณ ๊ธ‰ ๋ถ„์‹์„ ์ถ”๊ตฌํ•˜๋Š” ํ”„๋žœ์ฐจ์ด์ฆˆ๋„ ์•„๋‹ˆ์ฃ . ๊ฐ€๊ฒŒ ์ด๋ฆ„์— '์‹ธ๋‹ค'๋ฅผ ๋ถ™์˜€์œผ๋ฉด์„œ ๊ณ ๊ธ‰ํ™”๋ฅผ ์ถ”๊ตฌํ•˜์ง€๋Š” ์•Š๊ฒ ์ฃ .

๋ง›์€ ์ƒ๊ฐ๋ณด๋‹ค๋Š” ์ข€๋” ๋งต๊ณ , ๋‹จ๋ง›์€ ๋œ ๋‚ฉ๋‹ˆ๋‹ค. ์Œ์‹์—์„œ ๋‹จ๋ง›์ด ๋‚˜๋Š” ๊ฒƒ์„ ์ข‹์•„ํ•˜๋Š” ์‚ฌ๋žŒ๋„ ์žˆ๊ณ  ์‹ซ์–ดํ•˜๋Š” ์‚ฌ๋žŒ๋„ ์žˆ์œผ๋‹ˆ ์ข‹๋‹ค ๋‚˜์˜๋‹ค๋ฅผ ์ด์•ผ๊ธฐํ•˜๋Š” ๊ฒƒ์€ ์•„๋‹™๋‹ˆ๋‹ค. ๊ทธ๋ƒฅ ์ œ๊ฐ€ ์ƒ๊ฐํ–ˆ๋˜ ๊ฒƒ๊ณผ์˜ ์ฐจ์ด์ผ๋ฟ์ž…๋‹ˆ๋‹ค.

๋งค์šด ๋ง› ์—ญ์‹œ ์ƒ๊ฐํ–ˆ๋˜ ๊ฒƒ ๋ณด๋‹ค ๋งค์šด ๋ง›์ด ๋”ํ–ˆ๋˜๊ฑฐ์ง€ ์•„์ฃผ ๋งต๊ฑฐ๋‚˜ ํ–ˆ๋‹ค๋Š” ๊ฒƒ์€ ์•„๋‹™๋‹ˆ๋‹ค.

์•ž์„œ ๋งํ–ˆ๋“ฏ์ด ํ”„๋žœ์ฐจ์ด์ฆˆ ๋ถ„์‹์ง‘์ด๊ณ  ๊ฐ€๊ฒฉ๋„ ๊ฐ์•ˆํ•ด์„œ ๊ธฐ๋Œ€์น˜๋ฅผ ๋†’์ด์ง€ ์•Š์œผ๋ฉด ๋‚˜์˜์ง€๋Š” ์•Š์Šต๋‹ˆ๋‹ค. 

Pinacoteca do Estado de Sรฃo Paulo, BR

Pinacoteca do Estado de Sรฃo Paulo

์ƒํŒŒ์šธ๋กœ ํ”ผ๋‚˜์ฝ”ํ…Œ์นด ๋ฏธ์ˆ ๊ด€


Pinacoteca๋Š” ํฌ๋ฅดํˆฌ๊ฐˆ ๋ง๋กœ ํšŒํ™”๊ด€(็นช็•ต่ˆ˜, picture gallery)์ด๋ผ๋Š” ๋œป์ด๊ณ  Estado๋Š” ์ฃผ(state), ์ •๋ถ€(government)๋ผ๋Š” ์˜๋ฏธ๋ผ๊ณ  ํ•ฉ๋‹ˆ๋‹ค. 1905๋…„ ๊ฐœ๊ด€ํ•˜์—ฌ ๋ธŒ๋ผ์งˆ์—์„œ ๊ฐ€์žฅ ์˜ค๋ž˜๋˜๊ณ , ๊ฐ€์žฅ ์ค‘์š”ํ•œ ๋ฐ•๋ฌผ๊ด€ ์ค‘ ํ•˜๋‚˜์ž…๋‹ˆ๋‹ค. ์ฃผ๋ฆฝ ๋ฏธ์ˆ ๊ด€์œผ๋กœ ๋œ ๊ฒƒ์€ 1911๋…„์ด๋ผ๊ณ  ํ•ฉ๋‹ˆ๋‹ค.


Pinacoteca do Estado de Sรฃo Paulo. Wikimedia Commons under the Creative Commons Attribution-Share Alike 4.0 International license. Author: Wilfredor


Josรฉ Ferraz de Almeida Jรบnior (1850–1899), The Inopportune (O Importuno), 1898, oil on canvas, 145 x 97 cm, Pinacoteca do Estado de Sรฃo Paulo



Lรกzaro Galdiano Museum, ES

Lรกzaro Galdiano Museum, ES

Museo Lรกzaro Galdiano, Madrid, Spain

๋งˆ๋“œ๋ฆฌ๋“œ ๋ผ์‚ฌ๋กœ ๊ฐˆ๋””์•„๋…ธ ๋ฏธ์ˆ ๊ด€


Josรฉ Lรกzaro Galdiano ์ˆ˜์ง‘ํ’ˆ๋“ค์ด ์†Œ์žฅ๋˜์–ด ์žˆ๋Š” ๋ฏธ์ˆ ๊ด€์œผ๋กœ, 19514๋…„ ๊ฐœ๊ด€ํ•˜์˜€์Šต๋‹ˆ๋‹ค.


๊ฑด๋ฌผ์€ 1903๋…„์— ๊ฑด์ถ•๋˜์—ˆ๊ณ , Lรกzaro Galdiano์™€ ๊ทธ์˜ ๋ถ€์ธ์ด ๊ฑฐ์ฃผํ•˜๋˜ ๊ณณ์ด๋ผ๊ณ  ํ•ฉ๋‹ˆ๋‹ค. ๋ฐ•๋ฌผ๊ด€์œผ๋กœ ๊ฐœ์กฐํ•˜๋ฉด์„œ๋„ ์ธํ…Œ๋ฆฌ์–ด๋ฅผ ์œ ์ง€ํ•˜๊ธฐ ์œ„ํ•ด ์‹ ๊ฒฝ์„ ์ผ๋‹ค๊ณ  ํ•˜๋„ค์š”.


Lรกzaro Galdiano Museum. Wikimedia Commons under the Creative Commons Attribution-Share Alike 3.0 Unported, 2.5 Generic, 2.0 Generic and 1.0 Generic license. Attribution: Luis Garcรญa

Zacarรญas Gonzรกlez Velรกzquez (1763–1834), Manuela Gonzรกlez Velรกzquez tocando el piano(Manuela Gonzรกlez Velรกzquez, playing the piano), c. 1820, oil on canvas, 82.3 x 65.2 cm, Museo Lรกzaro Galdiano, Madrid, Spain 


Princeton University Art Museum, Princeton, US-NJ

Princeton University Art Museum, Princeton, New Jersey, USA

ํ”„๋ฆฐ์Šคํ„ด ๋Œ€ํ•™๊ต ๋ฏธ์ˆ ๊ด€


PUAM์ด๋ผ๊ณ  ๋ถ€๋ฅด๋Š” ํ”„๋ฆฐ์Šคํ„ด ๋Œ€ํ•™๊ต ๋ฏธ์ˆ ๊ด€(Princeton University Art Museum, Princeton)์€ ๋‰ด์ €์ง€ ํ”„๋ฆฐ์Šคํ„ด์— ์œ„์น˜ํ•œ ๋ฏธ์ˆ ๊ด€์ž…๋‹ˆ๋‹ค.


18825๋…„ ์„ค๋ฆฝ๋˜์—ˆ์œผ๋ฉฐ, ๊ณ ๋Œ€๋ถ€ํ„ฐ ํ˜„๋Œ€๊นŒ์ง€ ๋‹ค์–‘ํ•œ ์‹œ๊ธฐ์˜ ์ž‘ํ’ˆ์„ 9๋งŒ 2์ฒœ์  ์ด์ƒ ์†Œ์žฅํ•˜๊ณ  ์žˆ์Šต๋‹ˆ๋‹ค.


๊ณ ๋Œ€ ๊ทธ๋ฆฌ์Šค์™€ ๋กœ๋งˆ ์ž‘ํ’ˆ์ด ๋งŽ์œผ๋ฉฐ, ์ดˆ๊ธฐ ๋ฅด๋„ค์ƒ์Šค์—์„œ 19์„ธ๊ธฐ์— ๊ฑธ์นœ ์„œ์œ ๋Ÿฝ ํšŒํ™” ์ž‘ํ’ˆ๋“ค๋„ ๋งŽ์Šต๋‹ˆ๋‹ค. 20์„ธ๊ธฐ ์ž‘ํ’ˆ๊ณผ ํ˜„๋Œ€ ๋ฏธ์ˆ ํ’ˆ๋“ค์˜ ์†Œ์žฅ๋„ ๋Š˜๋ ค๊ฐ€๊ณ  ์žˆ์Šต๋‹ˆ๋‹ค.


์ž…์žฅ๋ฃŒ๋Š” ๋ฌด๋ฃŒ์ด๋ฉฐ ํœด๊ด€์ผ์€ ์›”์š”์ผ์ž…๋‹ˆ๋‹ค. 10์‹œ๋ถ€ํ„ฐ 17์‹œ๊นŒ์ง€ ๋ฌธ์„ ์—ฌ๋Š”๋ฐ, ๋ชฉ์š”์ผ์€ 10์‹œ๋ถ€ํ„ฐ 21์‹œ๊นŒ์ง€, ์ผ์š”์ผ์€ 12์‹œ๋ถ€ํ„ฐ 17์‹œ๊นŒ์ง€๋กœ ์ฐจ์ด๊ฐ€ ๋‚ฉ๋‹ˆ๋‹ค.


์ž…์žฅ์‹œ๊ฐ„์€ ์–ธ์ œ๋“  ๋ฐ”๋€” ์ˆ˜ ์žˆ์œผ๋‹ˆ, ๋ฐฉ๋ฌธํ•˜์‹œ๋ ค๋ฉด ์ง์ ‘ ํ™•์ธํ•˜์‹œ๋Š”๊ฒŒ ์ข‹์„ ๊ฒ๋‹ˆ๋‹ค.


Princeton University Art Museum Side View. Wikimedia Commons under the Creative Commons Attribution-Share Alike 3.0 Unported license. Author: PointsofNoReturn

Angelica Kauffmann (1741–1807), Portrait of Sarah Harrop (Mrs. Bates) as a Muse, 1780-1781, oil on canvas, 142 x 121 cm, Princeton University Art Museum


Kunstmuseum Den Haag, The Hague, NL

 Kunstmuseum Den Haag, Stadhouderslaan 41, The Hague

ํ—ค์ด๊ทธ ๋ฏธ์ˆ ๊ด€


๋„ค๋œ๋ž€๋“œ ํ—ค์ด๊ทธ์— ์œ„์น˜ํ•œ ์‹œ๋ฆฝ๋ฏธ์ˆ ๊ด€์ž…๋‹ˆ๋‹ค. 1866๋…„์— Museum voor Moderne Kunst๋ผ๋Š” ์ด๋ฆ„์œผ๋กœ ์„ค๋ฆฝ๋˜์—ˆ์œผ๋ฉฐ, ์ดํ›„ ์ด๋ฆ„์ด ๋ช‡๋ฒˆ ๋ณ€๊ฒฝ๋˜์—ˆ์Šต๋‹ˆ๋‹ค. ๊ฑด๋ฌผ์€ 1931๋…„์—์„œ 1935๋…„ ์‚ฌ์ด์— ์ง€์–ด์กŒ๋‹ค๊ณ  ํ•ฉ๋‹ˆ๋‹ค.


๊ทผ๋Œ€ ์˜ˆ์ˆ  ์ž‘ํ’ˆ ์ฒœ์—ฌ ์ ์„ ํฌํ•จํ•˜์—ฌ ์œ ๋Ÿฝ ํšŒํ™”, ๋„์ž, ๊ณต์˜ˆ, ํŒํ™”, ์˜๋ณต, ์•…๊ธฐ ๋“ฑ ์ด 160,000์ ์„ ์†Œ์žฅํ•˜๊ณ  ์žˆ์Šต๋‹ˆ๋‹ค.


ํŠนํžˆ, ๋„ค๋œ๋ž€๋“œ ํ˜„๋Œ€๋ฏธ์ˆ  ํ™”๊ฐ€์ธ ํ”ผ์—ํŠธ ๋ชฌ๋“œ๋ฆฌ์•ˆ์˜ ์ž‘ํ’ˆ 300์—ฌ ์ ์„ ์†Œ์žฅํ•˜์—ฌ ์„ธ๊ณ„ ์ตœ๋Œ€ ๊ทœ๋ชจ์˜ ๋ชฌ๋“œ๋ฆฌ์•ˆ ์ปฌ๋ ‰์…˜์„ ์ž๋ž‘ํ•ฉ๋‹ˆ๋‹ค. ์ „์‹œ๋œ ์ž‘ํ’ˆ ์ค‘์—๋Š” ๋ชฌ๋“œ๋ฆฌ์•ˆ์˜ ์ž‘ํ’ˆ Victory Boogie-Woogie์ด ์œ ๋ช…ํ•ฉ๋‹ˆ๋‹ค.


Museum building designed by H.P. Berlage from Wikimedia Commons under the Creative Commons Attribution-Share Alike 3.0 Unported, 2.5 Generic, 2.0 Generic and 1.0 Generic license. Author: Roel Wijnants

Isaac Israรซls (1865–1934), Girl reading, circa 1906, oil on canvas, 75.0 x 66.9 cm, Kunstmuseum Den Haag, Stadhouderslaan 41, The Hague