February 21, 2022

Jean-Antoine Watteau (1684-1721)

 Jean-Antoine Watteau (1684-1721)

์žฅ ์•™ํˆฌ์•ˆ ๋ฐ”ํ† 

์žฅ ์•™ํˆฌ์•ˆ ์™€ํ† 


์™€ํ† ๋Š” ํ”„๋ž‘์Šค ํ™”๊ฐ€๋กœ ๋กœ์ฝ”์ฝ” ์–‘์‹์˜ ๋Œ€๊ฐ€๋กœ ๋ถˆ๋ฆฝ๋‹ˆ๋‹ค. ๋‚ญ๋งŒ์ ์ธ ์ „์› ํ’๊ฒฝ์— ์šฐ์•„ํ•˜๊ฒŒ ์ฐจ๋ ค์ž…์€ ์ธ๋ฌผ๋“ค์ด ํŠน์ง•์ž…๋‹ˆ๋‹ค.


์™€ํ† ๋ฅผ ์™•๋ฆฝ ์•„์นด๋ฐ๋ฏธ์—์„œ ํšŒ์›์œผ๋กœ ๋ฐ›์•„๋“ค์ด๋ฉด์„œ ๊ทธ์˜ ์ž‘ํ’ˆ์— ๋Œ€ํ•œ ์ƒˆ๋กœ์šด ๋ถ„๋ฅ˜๊ฐ€ ํ•„์š”ํ•ด ์ ธ์„œ ์™•๋ฆฝ ์•„์นด๋ฐ๋ฏธ์—์„œ๋Š” ๊ทธ์˜ ์ž‘ํ’ˆ์„ ํŽ˜ํŠธ ๊ฐˆ๋ž‘ํŠธ(fรชte galante)๋กœ ๋ถˆ๋ €์Šต๋‹ˆ๋‹ค.


์‚ฌ๋ž‘์˜ ์—ฐํšŒ๋ผ๊ณ ๋„ ๋ถˆ๋ฆฌ๋Š” ์ด ๊ทธ๋ฆผ๋“ค์€ ์•ผ์™ธ์—์„œ ์ž˜ ์ฐจ๋ ค ์ž…์€ ๋‚จ๋…€ ์ธ๋ฌผ๋“ค์ด ๋ฐ€์–ด๋ฅผ ์†์‚ญ์ด๊ฑฐ๋‚˜ ๋…ธ๋ž˜๋ฅผ ๋ถ€๋ฅด๋ฉฐ ๋‚ญ๋งŒ์ ์œผ๋กœ ๋ณด๋‚ด๋Š” ์žฅ๋ฉด์„ ํ‘œํ˜„ํ•˜๊ณ  ์žˆ์ฃ .


Jean-Antoine Watteau (1684-1721), Pleasures of Love, c. 1718~1719, oil on canvas, 60 x 75 cm, Gemรคldegalerie Alte Meister, Dresden, Germany


National Gallery of Ireland, Dublin, Republic of Ireland

 National Gallery of Ireland, IE

Gailearaรญ Nรกisiรบnta na hร‰ireann

์•„์ผ๋žœ๋“œ ๊ตญ๋ฆฝ๋ฏธ์ˆ ๊ด€

๋ฉ”๋ฆฌ์˜จ ์Šคํ€˜์–ด ๊ตญ๋ฆฝ ๋ฏธ์ˆ ๊ด€


์ž…์žฅ๋ฃŒ: ๋ฌด๋ฃŒ

https://www.nationalgallery.ie/


์•„์ผ๋žœ๋“œ ๋”๋ธ”๋ฆฐ์— ์œ„์น˜ํ•œ ๋ฏธ์ˆ ๊ด€์œผ๋กœ 1854๋…„ ์„ค๋ฆฝ๋˜์—ˆ์œผ๋ฉฐ, ์ผ๋ฐ˜์—๊ฒŒ ๊ณต๊ฐœ๋œ ๊ฒƒ์€ 10๋…„ ํ›„์ธ 1864๋…„์ด๋ผ๊ณ  ํ•ฉ๋‹ˆ๋‹ค. ๊ฐœ๊ด€ ๋‹น์‹œ ์†Œ์žฅํ•˜๊ณ  ์žˆ๋˜ ์ž‘ํ’ˆ์€ ํšŒํ™” 112์ ์— ๋ถˆ๊ณผํ–ˆ๋‹ค๊ณ  ํ•ฉ๋‹ˆ๋‹ค.


ํ˜„์žฌ๋Š” ์•ฝ 14,000์ ์˜ ์˜ˆ์ˆ  ์ž‘ํ’ˆ์„ ์†Œ์žฅํ•˜๊ณ  ์žˆ์Šต๋‹ˆ๋‹ค. ์ด ์ค‘ ์œ ํ™”(oil painting) 2,500์ , ์†Œ๋ฌ˜(drawing) 5,000์ , ํŒํ™”(print) 5,000์  ๋“ฑ์ด ์žˆ์œผ๋ฉฐ, ๊ทธ ์™ธ์— ์กฐ๊ฐ, ๊ฐ€๊ตฌ ๋“ฑ๋„ ์žˆ์Šต๋‹ˆ๋‹ค. 


์•„์ผ๋žœ๋“œ ๋ฐ ์œ ๋Ÿฝ์˜ ํ›„๊ธฐ ์ธ์ƒ์ฃผ์˜ ํ™”๊ฐ€์˜ ์ž‘ํ’ˆ์„ ์ฃผ๋กœ ์†Œ์žฅ ๋ฐ ์ „์‹œํ•˜๊ณ  ์žˆ์œผ๋ฉฐ, ์ดํƒˆ๋ฆฌ์•„ ๋ฐ”๋กœํฌ(Italian Baroque) ๋ฐ ๋„ค๋œ๋ž€๋“œ ํ™ฉ๊ธˆ๊ธฐ(Dutch Golden Age) ํšŒํ™” ์ž‘ํ’ˆ๋„ ์œ ๋ช…ํ•ฉ๋‹ˆ๋‹ค.


Jan Brueghel the Younger (1601–1678) and Peter Paul Rubens  (1577–1640), Christ in the House of Martha and Mary, c. 1628, oil on oak wood, 64 × 61.9 cm, National Gallery of Ireland, Dublin, Republic of Ireland


Jan Brueghel the Younger (1601–1678)

Jan Brueghel the Younger (1601–1678)

Jan Brueghel le Jeune

์–€ ๋ธŒ๋ขฐํ—ฌ 2์„ธ


๋ธŒ๋ขฐํ—ฌ์€ ํ•œ๊ธ€๋กœ๋Š” ๋ธŒ๋คผํ—, ๋กœ๋งˆ ์•ŒํŒŒ๋ฒณ์œผ๋กœ๋Š” Brueghel, Bruegel, Breughel ๋“ฑ์œผ๋กœ ํ‘œํ˜„ํ•˜๊ธฐ๋„ ํ•ฉ๋‹ˆ๋‹ค. 


์–€ ๋ธŒ๋ขฐํ—ฌ 2์„ธ๋Š” ํ”Œ๋ž‘๋“œ๋ฅด ๋ฐ”๋กœํฌ(Flemish Baroque) ํ™”๊ฐ€๋กœ ๋Œ€ ์–€ ๋ธŒ๋ขฐํ—ฌ(Jan Brueghel the Elder, 1568-1625)์˜ ์•„๋“ค์ž…๋‹ˆ๋‹ค. ํ• ์•„๋ฒ„์ง€๋Š” ํ”ผํ„ฐ๋ฅด ๋ธŒ๋คผํ—(Pieter Bruegel the Elder, c. 1525-1569)์˜ ์†์ž์ด๊ธฐ๋„ ํ•˜๋‹ˆ, 3๋Œ€๊ฐ€ ์œ ๋ช…ํ•œ ํ™”๊ฐ€์ธ ์ง‘์•ˆ์ž…๋‹ˆ๋‹ค.


Brueghel์ด๋ผ๊ณ  ์ž‘ํ’ˆ์— ์„œ๋ช…์„ ํ•˜๋‹ค๊ฐ€ ์•„๋ฒ„์ง€๊ฐ€ ์‚ฌ๋งํ•˜๊ณ  ๋‚˜์„œ Breughel๋กœ ์„œ๋ช…์„ ๋ฐ”๊พธ์—ˆ๋‹ค๊ณ  ํ•ฉ๋‹ˆ๋‹ค.


ํ’๊ฒฝํ™”๋กœ ์œ ๋ช…ํ•œ๋ฐ, ํ˜ผ์ž ์™„์„ฑํ•œ ์ž‘ํ’ˆ๋“ค๋„ ์žˆ๊ณ , ๋‹ค๋ฅธ ์ž‘๊ฐ€๋“ค๊ณผ ํ˜‘์—…ํ•˜์—ฌ ์™„์„ฑํ•œ ์ž‘ํ’ˆ๋“ค๋„ ์žˆ์Šต๋‹ˆ๋‹ค.


๋งˆ๋ฅด๋‹ค์™€ ๋งˆ๋ฆฌ์•„์˜ ์ง‘์— ์žˆ๋Š” ๊ทธ๋ฆฌ์Šค๋„(Christ in the House of Martha and Mary)๋Š” ๋ฃจ๋ฒค์Šค(Peter Paul Rubens)์™€ ํ˜‘์—…์œผ๋กœ ์™„์„ฑํ•œ ์ž‘ํ’ˆ์ด๋ผ๊ณ  ํ•ฉ๋‹ˆ๋‹ค.


Jan Brueghel the Younger (1601–1678) and Peter Paul Rubens  (1577–1640), Christ in the House of Martha and Mary, c. 1628, oil on oak wood, 64 × 61.9 cm, National Gallery of Ireland, Dublin, Republic of Ireland


February 20, 2022

์‹ธ๋‹ค๊น€๋ฐฅ ์„œ์—ฌ์˜๋„์ 

์‹ธ๋‹ค๊น€๋ฐฅ ์„œ์—ฌ์˜๋„์ 
์ข…ํ•ฉ๋ถ„์‹
์„œ์šธ ์˜๋“ฑํฌ๊ตฌ ๊ตญํšŒ๋Œ€๋กœ66๊ธธ 17 1์ธต

์˜ˆ์ „๋ณด๋‹ค ๋‚˜์•„์กŒ๋‹ค๊ณ ๋Š” ํ•˜์ง€๋งŒ, ์—ฌ์ „ํžˆ ์—ฌ์˜๋„์—์„œ๋Š” ์ผ์š”์ผ์— ์‹์‚ฌํ•  ๊ณณ์„ ์ฐพ๊ธฐ๊ฐ€ ๋งˆ๋•…์น˜ ์•Š์Šต๋‹ˆ๋‹ค.

์‹ธ๋‹ค๊น€๋ฐฅ์€ ์„œ์—ฌ์˜๋„์—์„œ ๋“œ๋ฌผ๊ฒŒ ์—ฐ์ค‘๋ฌดํœด 24์‹œ๊ฐ„ ์˜์—…์„ ํ‘œ๋ฐฉํ•˜๋Š” ํ”„๋žœ์ฐจ์ด์ฆˆ ๋ถ„์‹์ง‘์ž…๋‹ˆ๋‹ค. ๊น€๋ฐฅ๋ฅ˜๋ฅผ ํฌํ•จํ•œ ๋‹ค์–‘ํ•œ ๋ถ„์‹์„ ํŒ”์ฃ .

16-17์‹œ ๋ธŒ๋ ˆ์ดํฌ ํƒ€์ž„์ด ์žˆ๊ณ , ์ผ์š”์ผ์€ 21์‹œ๊นŒ์ง€ ํ•˜๋‹ˆ๊นŒ ํŽธ์˜์ ์ฒ˜๋Ÿผ ์™„์ „ํ•œ ์—ฐ์ค‘๋ฌดํœด 24์‹œ๊ฐ„ ์˜์—…์€ ์•„๋‹ˆ์ง€๋งŒ, ์ด์ •๋„๋ฉด ํ›Œ๋ฅญํ•˜์ฃ .

๊ทธ๋ ‡์ง€๋งŒ, ์˜์—…์‹œ๊ฐ„์€ ์ฝ”๋กœ๋‚˜19 ์ดํ›„๋Š” ๋ฐฉ์—ญ์ง€์นจ์„ ์šฐ์„  ์ ์šฉ๋ฐ›์Šต๋‹ˆ๋‹ค.

๊น€๋ฐฅ์ง‘์ด๋‹ˆ ๊น€๋ฐฅ์„ ๋จน์–ด๋ณผ๊นŒ ํ–ˆ๋Š”๋ฐ, ์–ด๋А ๋ถ„์ด ์น˜์ฆˆ๊น€์น˜๋„๋ฆฌ์•ผ๋ฅผ ์ถ”์ฒœํ•˜์…”์„œ ์น˜์ฆˆ๊น€์น˜๋„๋ฆฌ์•ผ๋ฅผ ๋จน์–ด๋ดค์Šต๋‹ˆ๋‹ค.

์ผ๋‹จ ํ”„๋žœ์ฐจ์ด์ฆˆ ๋ถ„์‹์ง‘์—์„œ ๋‚˜์˜ค๋Š” ์น˜์ฆˆ๊น€์น˜๋„๋ฆฌ์•ผ์ž„์„ ๊ฐ์•ˆํ•˜๊ธฐ๋Š” ํ•ด์•ผํ•ฉ๋‹ˆ๋‹ค. ๊ณ ๊ธ‰ ๋ถ„์‹์„ ์ถ”๊ตฌํ•˜๋Š” ํ”„๋žœ์ฐจ์ด์ฆˆ๋„ ์•„๋‹ˆ์ฃ . ๊ฐ€๊ฒŒ ์ด๋ฆ„์— '์‹ธ๋‹ค'๋ฅผ ๋ถ™์˜€์œผ๋ฉด์„œ ๊ณ ๊ธ‰ํ™”๋ฅผ ์ถ”๊ตฌํ•˜์ง€๋Š” ์•Š๊ฒ ์ฃ .

๋ง›์€ ์ƒ๊ฐ๋ณด๋‹ค๋Š” ์ข€๋” ๋งต๊ณ , ๋‹จ๋ง›์€ ๋œ ๋‚ฉ๋‹ˆ๋‹ค. ์Œ์‹์—์„œ ๋‹จ๋ง›์ด ๋‚˜๋Š” ๊ฒƒ์„ ์ข‹์•„ํ•˜๋Š” ์‚ฌ๋žŒ๋„ ์žˆ๊ณ  ์‹ซ์–ดํ•˜๋Š” ์‚ฌ๋žŒ๋„ ์žˆ์œผ๋‹ˆ ์ข‹๋‹ค ๋‚˜์˜๋‹ค๋ฅผ ์ด์•ผ๊ธฐํ•˜๋Š” ๊ฒƒ์€ ์•„๋‹™๋‹ˆ๋‹ค. ๊ทธ๋ƒฅ ์ œ๊ฐ€ ์ƒ๊ฐํ–ˆ๋˜ ๊ฒƒ๊ณผ์˜ ์ฐจ์ด์ผ๋ฟ์ž…๋‹ˆ๋‹ค.

๋งค์šด ๋ง› ์—ญ์‹œ ์ƒ๊ฐํ–ˆ๋˜ ๊ฒƒ ๋ณด๋‹ค ๋งค์šด ๋ง›์ด ๋”ํ–ˆ๋˜๊ฑฐ์ง€ ์•„์ฃผ ๋งต๊ฑฐ๋‚˜ ํ–ˆ๋‹ค๋Š” ๊ฒƒ์€ ์•„๋‹™๋‹ˆ๋‹ค.

์•ž์„œ ๋งํ–ˆ๋“ฏ์ด ํ”„๋žœ์ฐจ์ด์ฆˆ ๋ถ„์‹์ง‘์ด๊ณ  ๊ฐ€๊ฒฉ๋„ ๊ฐ์•ˆํ•ด์„œ ๊ธฐ๋Œ€์น˜๋ฅผ ๋†’์ด์ง€ ์•Š์œผ๋ฉด ๋‚˜์˜์ง€๋Š” ์•Š์Šต๋‹ˆ๋‹ค. 

Pinacoteca do Estado de Sรฃo Paulo, BR

Pinacoteca do Estado de Sรฃo Paulo

์ƒํŒŒ์šธ๋กœ ํ”ผ๋‚˜์ฝ”ํ…Œ์นด ๋ฏธ์ˆ ๊ด€


Pinacoteca๋Š” ํฌ๋ฅดํˆฌ๊ฐˆ ๋ง๋กœ ํšŒํ™”๊ด€(็นช็•ต่ˆ˜, picture gallery)์ด๋ผ๋Š” ๋œป์ด๊ณ  Estado๋Š” ์ฃผ(state), ์ •๋ถ€(government)๋ผ๋Š” ์˜๋ฏธ๋ผ๊ณ  ํ•ฉ๋‹ˆ๋‹ค. 1905๋…„ ๊ฐœ๊ด€ํ•˜์—ฌ ๋ธŒ๋ผ์งˆ์—์„œ ๊ฐ€์žฅ ์˜ค๋ž˜๋˜๊ณ , ๊ฐ€์žฅ ์ค‘์š”ํ•œ ๋ฐ•๋ฌผ๊ด€ ์ค‘ ํ•˜๋‚˜์ž…๋‹ˆ๋‹ค. ์ฃผ๋ฆฝ ๋ฏธ์ˆ ๊ด€์œผ๋กœ ๋œ ๊ฒƒ์€ 1911๋…„์ด๋ผ๊ณ  ํ•ฉ๋‹ˆ๋‹ค.


Pinacoteca do Estado de Sรฃo Paulo. Wikimedia Commons under the Creative Commons Attribution-Share Alike 4.0 International license. Author: Wilfredor


Josรฉ Ferraz de Almeida Jรบnior (1850–1899), The Inopportune (O Importuno), 1898, oil on canvas, 145 x 97 cm, Pinacoteca do Estado de Sรฃo Paulo



Lรกzaro Galdiano Museum, ES

Lรกzaro Galdiano Museum, ES

Museo Lรกzaro Galdiano, Madrid, Spain

๋งˆ๋“œ๋ฆฌ๋“œ ๋ผ์‚ฌ๋กœ ๊ฐˆ๋””์•„๋…ธ ๋ฏธ์ˆ ๊ด€


Josรฉ Lรกzaro Galdiano ์ˆ˜์ง‘ํ’ˆ๋“ค์ด ์†Œ์žฅ๋˜์–ด ์žˆ๋Š” ๋ฏธ์ˆ ๊ด€์œผ๋กœ, 19514๋…„ ๊ฐœ๊ด€ํ•˜์˜€์Šต๋‹ˆ๋‹ค.


๊ฑด๋ฌผ์€ 1903๋…„์— ๊ฑด์ถ•๋˜์—ˆ๊ณ , Lรกzaro Galdiano์™€ ๊ทธ์˜ ๋ถ€์ธ์ด ๊ฑฐ์ฃผํ•˜๋˜ ๊ณณ์ด๋ผ๊ณ  ํ•ฉ๋‹ˆ๋‹ค. ๋ฐ•๋ฌผ๊ด€์œผ๋กœ ๊ฐœ์กฐํ•˜๋ฉด์„œ๋„ ์ธํ…Œ๋ฆฌ์–ด๋ฅผ ์œ ์ง€ํ•˜๊ธฐ ์œ„ํ•ด ์‹ ๊ฒฝ์„ ์ผ๋‹ค๊ณ  ํ•˜๋„ค์š”.


Lรกzaro Galdiano Museum. Wikimedia Commons under the Creative Commons Attribution-Share Alike 3.0 Unported, 2.5 Generic, 2.0 Generic and 1.0 Generic license. Attribution: Luis Garcรญa

Zacarรญas Gonzรกlez Velรกzquez (1763–1834), Manuela Gonzรกlez Velรกzquez tocando el piano(Manuela Gonzรกlez Velรกzquez, playing the piano), c. 1820, oil on canvas, 82.3 x 65.2 cm, Museo Lรกzaro Galdiano, Madrid, Spain 


Princeton University Art Museum, Princeton, US-NJ

Princeton University Art Museum, Princeton, New Jersey, USA

ํ”„๋ฆฐ์Šคํ„ด ๋Œ€ํ•™๊ต ๋ฏธ์ˆ ๊ด€


PUAM์ด๋ผ๊ณ  ๋ถ€๋ฅด๋Š” ํ”„๋ฆฐ์Šคํ„ด ๋Œ€ํ•™๊ต ๋ฏธ์ˆ ๊ด€(Princeton University Art Museum, Princeton)์€ ๋‰ด์ €์ง€ ํ”„๋ฆฐ์Šคํ„ด์— ์œ„์น˜ํ•œ ๋ฏธ์ˆ ๊ด€์ž…๋‹ˆ๋‹ค.


18825๋…„ ์„ค๋ฆฝ๋˜์—ˆ์œผ๋ฉฐ, ๊ณ ๋Œ€๋ถ€ํ„ฐ ํ˜„๋Œ€๊นŒ์ง€ ๋‹ค์–‘ํ•œ ์‹œ๊ธฐ์˜ ์ž‘ํ’ˆ์„ 9๋งŒ 2์ฒœ์  ์ด์ƒ ์†Œ์žฅํ•˜๊ณ  ์žˆ์Šต๋‹ˆ๋‹ค.


๊ณ ๋Œ€ ๊ทธ๋ฆฌ์Šค์™€ ๋กœ๋งˆ ์ž‘ํ’ˆ์ด ๋งŽ์œผ๋ฉฐ, ์ดˆ๊ธฐ ๋ฅด๋„ค์ƒ์Šค์—์„œ 19์„ธ๊ธฐ์— ๊ฑธ์นœ ์„œ์œ ๋Ÿฝ ํšŒํ™” ์ž‘ํ’ˆ๋“ค๋„ ๋งŽ์Šต๋‹ˆ๋‹ค. 20์„ธ๊ธฐ ์ž‘ํ’ˆ๊ณผ ํ˜„๋Œ€ ๋ฏธ์ˆ ํ’ˆ๋“ค์˜ ์†Œ์žฅ๋„ ๋Š˜๋ ค๊ฐ€๊ณ  ์žˆ์Šต๋‹ˆ๋‹ค.


์ž…์žฅ๋ฃŒ๋Š” ๋ฌด๋ฃŒ์ด๋ฉฐ ํœด๊ด€์ผ์€ ์›”์š”์ผ์ž…๋‹ˆ๋‹ค. 10์‹œ๋ถ€ํ„ฐ 17์‹œ๊นŒ์ง€ ๋ฌธ์„ ์—ฌ๋Š”๋ฐ, ๋ชฉ์š”์ผ์€ 10์‹œ๋ถ€ํ„ฐ 21์‹œ๊นŒ์ง€, ์ผ์š”์ผ์€ 12์‹œ๋ถ€ํ„ฐ 17์‹œ๊นŒ์ง€๋กœ ์ฐจ์ด๊ฐ€ ๋‚ฉ๋‹ˆ๋‹ค.


์ž…์žฅ์‹œ๊ฐ„์€ ์–ธ์ œ๋“  ๋ฐ”๋€” ์ˆ˜ ์žˆ์œผ๋‹ˆ, ๋ฐฉ๋ฌธํ•˜์‹œ๋ ค๋ฉด ์ง์ ‘ ํ™•์ธํ•˜์‹œ๋Š”๊ฒŒ ์ข‹์„ ๊ฒ๋‹ˆ๋‹ค.


Princeton University Art Museum Side View. Wikimedia Commons under the Creative Commons Attribution-Share Alike 3.0 Unported license. Author: PointsofNoReturn

Angelica Kauffmann (1741–1807), Portrait of Sarah Harrop (Mrs. Bates) as a Muse, 1780-1781, oil on canvas, 142 x 121 cm, Princeton University Art Museum


Kunstmuseum Den Haag, The Hague, NL

 Kunstmuseum Den Haag, Stadhouderslaan 41, The Hague

ํ—ค์ด๊ทธ ๋ฏธ์ˆ ๊ด€


๋„ค๋œ๋ž€๋“œ ํ—ค์ด๊ทธ์— ์œ„์น˜ํ•œ ์‹œ๋ฆฝ๋ฏธ์ˆ ๊ด€์ž…๋‹ˆ๋‹ค. 1866๋…„์— Museum voor Moderne Kunst๋ผ๋Š” ์ด๋ฆ„์œผ๋กœ ์„ค๋ฆฝ๋˜์—ˆ์œผ๋ฉฐ, ์ดํ›„ ์ด๋ฆ„์ด ๋ช‡๋ฒˆ ๋ณ€๊ฒฝ๋˜์—ˆ์Šต๋‹ˆ๋‹ค. ๊ฑด๋ฌผ์€ 1931๋…„์—์„œ 1935๋…„ ์‚ฌ์ด์— ์ง€์–ด์กŒ๋‹ค๊ณ  ํ•ฉ๋‹ˆ๋‹ค.


๊ทผ๋Œ€ ์˜ˆ์ˆ  ์ž‘ํ’ˆ ์ฒœ์—ฌ ์ ์„ ํฌํ•จํ•˜์—ฌ ์œ ๋Ÿฝ ํšŒํ™”, ๋„์ž, ๊ณต์˜ˆ, ํŒํ™”, ์˜๋ณต, ์•…๊ธฐ ๋“ฑ ์ด 160,000์ ์„ ์†Œ์žฅํ•˜๊ณ  ์žˆ์Šต๋‹ˆ๋‹ค.


ํŠนํžˆ, ๋„ค๋œ๋ž€๋“œ ํ˜„๋Œ€๋ฏธ์ˆ  ํ™”๊ฐ€์ธ ํ”ผ์—ํŠธ ๋ชฌ๋“œ๋ฆฌ์•ˆ์˜ ์ž‘ํ’ˆ 300์—ฌ ์ ์„ ์†Œ์žฅํ•˜์—ฌ ์„ธ๊ณ„ ์ตœ๋Œ€ ๊ทœ๋ชจ์˜ ๋ชฌ๋“œ๋ฆฌ์•ˆ ์ปฌ๋ ‰์…˜์„ ์ž๋ž‘ํ•ฉ๋‹ˆ๋‹ค. ์ „์‹œ๋œ ์ž‘ํ’ˆ ์ค‘์—๋Š” ๋ชฌ๋“œ๋ฆฌ์•ˆ์˜ ์ž‘ํ’ˆ Victory Boogie-Woogie์ด ์œ ๋ช…ํ•ฉ๋‹ˆ๋‹ค.


Museum building designed by H.P. Berlage from Wikimedia Commons under the Creative Commons Attribution-Share Alike 3.0 Unported, 2.5 Generic, 2.0 Generic and 1.0 Generic license. Author: Roel Wijnants

Isaac Israรซls (1865–1934), Girl reading, circa 1906, oil on canvas, 75.0 x 66.9 cm, Kunstmuseum Den Haag, Stadhouderslaan 41, The Hague


Magyar Nemzeti Galรฉria, HU

Hungarian National Gallery, Budapest

Magyar Nemzeti Galรฉria

ํ—๊ฐ€๋ฆฌ๊ตญ๋ฆฝ๋ฏธ์ˆ ๊ด€


ํ—๊ฐ€๋ฆฌ๊ตญ๋ฆฝ๋ฏธ์ˆ ๊ด€์€ ํ—๊ฐ€๋ฆฌ ๋ถ€๋‹คํŽ˜์ŠคํŠธ ๋ถ€๋‹ค ์„ฑ(Buda Castle; Budai Vรกr) ๋‚ด์— ์œ„์น˜ํ•˜๊ณ  ์žˆ๋Š” ๋ฏธ์ˆ ๊ด€์ž…๋‹ˆ๋‹ค.


1957๋…„ ์„ค๋ฆฝ๋˜์—ˆ์œผ๋ฉฐ, ๋‹ค์–‘ํ•œ ๋ถ„์•ผ์˜ ํ—๊ฐ€๋ฆฌ ์ž‘ํ’ˆ์„ ์†Œ์žฅํ•˜๊ณ  ์žˆ์Šต๋‹ˆ๋‹ค. ๊ทธ ์ค‘์—๋Š” 19์„ธ๊ธฐ์—์„œ 20์„ธ๊ธฐ์— ํŒŒ๋ฆฌ ๋“ฑ ์„œ์œ ๋Ÿฝ์—์„œ ํ™œ์•ฝํ•œ ํ—๊ฐ€๋ฆฌ ์ž‘๊ฐ€๋“ค์˜ ์ž‘ํ’ˆ๋„ ๋‹ค์ˆ˜ ํฌํ•จํ•˜๊ณ  ์žˆ์Šต๋‹ˆ๋‹ค.


View from Saint Stephen's Basilica to the Hungarian National Gallery, Budapest from Wikimedia Commons in the public domain. Author: Yoav Dothan


​Gyula Benczรบr (1844–1920), Woman Reading in a Forest, 1875, oil on canvas, 87.5 x 116.5 cm, Hungarian National Gallery, Budapest


EMMA – Espoo Museum of Modern Art, Espoo, Finland

EMMA – Espoo Museum of Modern Art, Espoo, Finland

์—์Šคํฌ ํ˜„๋Œ€๋ฏธ์ˆ ๊ด€


์—์Šคํฌ๋Š” ํ•€๋ž€๋“œ ์—์Šคํฌ์— ์žˆ๋Š” ํ˜„๋Œ€ ๋ฏธ์ˆ ๊ด€์ž…๋‹ˆ๋‹ค. 


2002๋…„์— ์žฌ๋‹จ์ด ์„ค๋ฆฝ๋˜๊ณ , 2006๋…„์— ๊ฐœ๊ด€ํ•˜์—ฌ ๋น„๊ต์  ์ตœ๊ทผ์— ์„ค๋ฆฝ๋œ ๋ฏธ์ˆ ๊ด€์ด์ฃ .


5,000 ์ œ๊ณฑ๋ฏธํ„ฐ์˜ ๋ฉด์ ์œผ๋กœ ํ•€๋ž€๋“œ ์ „์ฒด์—์„œ ๊ฐ€์žฅ ํฐ ๋ฏธ์ˆ ๊ด€์ด๋ผ๊ณ  ํ•ฉ๋‹ˆ๋‹ค. 


๋ฐ˜์ •๋„๋Š” ์‚ฌ์Šคํƒ€๋ชจ์ด๋„จ ์žฌ๋‹จ ๋ฏธ์ˆ ํ’ˆ ์ปฌ๋ ‰์…˜(Saastamoinen Foundation Art Collection)์ด ์ƒ์‹œ ์ „์‹œ๋˜๊ณ  ์žˆ์œผ๋ฉฐ, ๋‹ค๋ฅธ ๋ฐ˜์€ ๊ตญ๋‚ด์™ธ ์ž‘ํ’ˆ๋“ค์ด ๊ต์ฒด๋˜๋ฉด์„œ ์ „์‹œ๋˜๊ณ  ์žˆ๋‹ค๊ณ  ํ•ฉ๋‹ˆ๋‹ค.


Pekka Halonen (1865-1933), Children reading, 1916, oil on canvas, EMMA – Espoo Museum of Modern Art, Espoo, Finland