Guercino, Self-Portrait before a Painting of "Amor Fedele", 1655

Guercino, Self-Portrait before a Painting of "Amor Fedele", 1655

Guercino (1591-1666), Self-Portrait before a Painting of "Amor Fedele", 1655, oil on canvas, 116 x 95.6 cm, National Gallery of Art, Washington, D.C., United States of America

Guercino (1591-1666), Self-Portrait before a Painting of "Amor Fedele", 1655, oil on canvas, 116 x 95.6 cm, National Gallery of Art, Washington, D.C., United States of America

“Self-Portrait before a Painting of ‘Amor Fedele’” is a painting by the Italian Baroque artist Giovanni Francesco Barbieri, known as Guercino. Created in 1655, this artwork is an oil on canvas and measures approximately 116 x 95.6 cm.

In this self-portrait, Guercino depicts himself standing in front of an easel holding a painter’s palette and brushes. The painting on the easel, titled “Amor Fedele” (Faithful Love), features a small, nude boy with a bow and quiver of arrows, accompanied by a slender dog. The boy is shown hooking a finger into the dog’s collar, and a stone slab with a snake swallowing its tail is visible near their feet.

The self-portrait captures Guercino’s likeness with detailed features, including his lined forehead, wavy ash-blond hair, and brushy mustache. The painting within the painting, “Amor Fedele,” symbolizes themes of love and fidelity, common in Baroque art.

“'아모르 페델레' 그림 앞의 자화상"은 구에르치노로 알려진 이탈리아 바로크 예술가 조반니 프란체스코 바르비에리의 그림입니다. 1655년에 제작된 이 작품은 캔버스에 유화로 제작되었으며 크기는 약 116 x 95.6cm입니다.

이 자화상에서 게르치노는 화가의 팔레트와 붓을 들고 이젤 앞에 서 있는 자신의 모습을 묘사하고 있습니다. 이젤 위에 그려진 '아모르 페델레'(충실한 사랑)라는 제목의 그림에는 활과 화살통을 든 작은 소년과 날씬한 개 한 마리가 함께 등장합니다. 소년은 개의 목걸이에 손가락을 걸고 있고, 발 근처에는 뱀이 꼬리를 삼킨 석판이 보입니다.

이 자화상에는 구불구불한 이마, 물결치는 잿빛 금발 머리, 덥수룩한 콧수염 등 구르치노의 이목구비가 자세히 묘사되어 있습니다. 그림 속 그림인 '아모르 페델레'는 바로크 예술에서 흔히 볼 수 있는 사랑과 충실함의 주제를 상징합니다.

Artist

Guercino (1591-1666)

Title

Self-Portrait before a Painting of "Amor Fedele"

Object type

painting

Genre

self-portrait

Depicted people

Guercino

Date

1655

Medium

oil on canvas

Dimensions

overall: 116 x 95.6 cm (45 11/16 x 37 5/8 in.)

framed: 140.7 x 121.9 x 5.7 cm (55 3/8 x 48 x 2 1/4 in.)

Collection

National Gallery of Art, Washington, D.C., United States of America

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[1] https://commons.wikimedia.org/wiki/File:Self-Portrait_before_a_Painting_of_Amor_Fedele_-6950305.jpg

신달호, Restoration - Image 15001, 2015

신달호, Restoration - Image 15001, 2015

신달호, Restoration - Image 15001, 2015, 스테인리스 스틸, 160x90x190, 한강공원

신달호, Restoration - Image 15001, 2015, 스테인리스 스틸, 160x90x190, 한강공원

작품이 갖는 전체적인 구조는 건물의 일부로 재현되며 계단과 문을 통해 과거나 미래를 이어주는 통로로서의 역할을 한다. 벽을 이루고 있는 직사각형의 구조와 외각의 검은색 테두리는 벽의 경계를 더욱 강하게 하여 마치 도시의 아이콘처럼 독립적 존재를 보여주고 있다.

The overall structure of the work is reproduced as a part of the building and serves as a passage between the past and the future through stairs and a door. The rectangular structure of the wall and the black border of the outer shell reinforce the boundaries of the wall, giving it an independent existence, like an urban icon.

[Sculpture]

Artist

SHIN Dalho (1958~ )

한국어: 신달호

Title

Restoration - Image 15001

Object type

English: Sculpture

한국어: 조각작품

Date

2015

Medium

English: Stainless steel

스테인리스 스틸

Dimensions

160 x 90 x 190 cm

Location

English: Han River Park, Seoul, Korea

한국어: 한강공원

[Photo]

Author

Neodargonone

Date

07 Jun 2024

#2015 #2010s

Life, Barack Obama

Life, Barack Obama

"Change will not come if we wait for some other person or some other time. We are the ones we've been waiting for. We are the change that we seek."

- Barack Obama

This quote emphasizes the importance of taking personal responsibility for creating change. It suggests that waiting for someone else to make a difference or for the perfect moment to act is not effective. Instead, it encourages us to recognize that we have the power and ability to bring about the change we desire. Essentially, it is a call to action, urging us to be proactive and take initiative in shaping our future.

다른 사람이 가져오는 변화나 더 좋은 시기를 기다리기만 한다면 결국 변화는 오지 않을 것이다. 우리 자신이 바로 우리가 기다리던 사람들이다. 우리 자신이 바로 우리가 찾는 변화다.

- 버락 오바마

이 말은 변화를 만드는 데 있어 개인적인 책임감을 갖는 것이 중요하다는 점을 강조합니다. 다른 사람이 변화를 일으키거나 행동할 완벽한 순간을 기다리는 것은 효과적이지 않다는 것을 뜻하죠. 대신, 우리가 원하는 변화를 가져올 수 있는 힘과 능력이 우리에게 있다는 것을 인식하도록 독려합니다. 본질적으로, 이는 우리가 능동적이고 주도적으로 우리의 미래를 만들어가도록 행동을 촉구합니다.

Life, Barack Obama, Change, Quotes, Quotations

Artists, Émile Zola

Artists, Émile Zola

"The artist is nothing without the gift, but the gift is nothing without work."

- Émile Zola

This quote emphasizes the balance between natural talent and hard work. It suggests that while an artist’s innate talent (the gift) is essential, it is not enough on its own. Without dedication, effort, and continuous practice (work), the talent cannot reach its full potential. Essentially, both the gift and the work are equally important for an artist to truly succeed and create meaningful art.

“예술가는 재능이 없으면 아무것도 아니지만, 재능은 노력이 없으면 아무것도 아니다.”

- 에밀 졸라

이 말은 타고난 재능과 노력 사이의 균형을 강조합니다. 예술가의 타고난 재능은 필수적이지만 그 자체만으로는 충분하지 않다는 것을 말합니다. 헌신과 노력, 지속적인 연습 없이는 재능이 있더라도 잠재력을 최대한 발휘할 수 없습니다. 즉, 예술가가 진정으로 성공하고 의미있는 예술을 창조하기 위해서는 재능과 노력 둘다 똑같이 중요하다는 뜻입니다.

Artists, Émile Zola, Quotes, Quotations

Albert Lynch, Portrait Of An Elegant Lady, Unknown

Albert Lynch, Portrait Of An Elegant Lady, Unknown

Albert Lynch (1860-1950), Portrait Of An Elegant Lady, Unknown, oil on canvas, 46.4 x 66 cm

Albert Lynch (1860-1950), Portrait Of An Elegant Lady, Unknown, oil on canvas, 46.4 x 66 cm

“Portrait Of An Elegant Lady” is a painting by Albert Lynch, created in the Art Nouveau style. Lynch was known for his elegant and detailed portraits, often depicting women of his time. This particular piece showcases his skill in capturing the grace and beauty of his subjects.

“우아한 여인의 초상"은 아르누보 양식으로 제작된 앨버트 린치의 그림입니다. 린치는 우아하고 섬세한 초상화로 유명했으며, 당대의 여성들을 주로 묘사했습니다. 이 특별한 작품은 피사체의 우아함과 아름다움을 포착하는 그의 기술을 보여줍니다.

Author

Albert Lynch (1860-1950)

Title

Portrait of an Elegant Lady

Date

Unknown(~1950)

Description

Portrait of an Elegant Lady

Medium

oil on canvas

Size

46.4 x 66 cm

Artists, Ralph Waldo Emerson

Artists, Ralph Waldo Emerson

"Every artist was once an amateur."

- Ralph Waldo Emerson

The quote “Every artist was once an amateur” means that everyone starts as a beginner, regardless of their current level of skill or success. It emphasizes that even the most talented and accomplished individuals began their journey with little to no experience. The quote encourages people to persevere and continue practicing, as growth and improvement come with time and effort. It’s a reminder that it’s okay to start small and make mistakes, as these are essential parts of the learning process.

“모든 예술가는 한때 아마추어였다.”

- 랄프 왈도 에머슨

“모든 예술가는 한때 아마추어였다"라는 말은 현재의 실력이나 성공 여부와 상관없이 누구나 초보자에서 시작한다는 뜻입니다. 아무리 재능 있고 뛰어난 사람이라도 경험이 거의 없거나 전혀 없는 상태에서 시작한다는 점을 강조합니다. 이 인용문은 성장과 발전에는 시간과 노력이 수반되므로 인내심을 갖고 계속 연습할 것을 권장합니다. 이는 학습 과정의 필수적인 부분이기 때문에 작게 시작하고 실수해도 괜찮다는 것을 상기시켜 줍니다.

Artists, Ralph Waldo Emerson, Arts, Quotes, Quotations

Thomas Lawrence, Margaret, Countess of Blessington, 1822

Thomas Lawrence, Margaret, Countess of Blessington, 1822

Thomas Lawrence (1769-1830), Margaret, Countess of Blessington, 1822, oil on canvas, 91 x 67 cm, The Wallace Collection

Thomas Lawrence (1769-1830), Margaret, Countess of Blessington, 1822, oil on canvas, 91 x 67 cm, The Wallace Collection

Artist

Thomas Lawrence (1769-1830)

Title

Margaret, Countess of Blessington

Object type

painting

Genre

portrait

Depicted people

Marguerite Gardiner, Countess of Blessington

Date

1822

Medium

oil on canvas

Dimensions

height: 91 x width: 67 cm

Collection

The Wallace Collection, Manchester Square, London, United Kingdom

Giuseppe Arcimboldo, Rudolf II of Habsurg as Vertumnus, 1591

Giuseppe Arcimboldo, Rudolf II of Habsurg as Vertumnus, 1591

Giuseppe Arcimboldo (1527-1593), Rudolf II of Habsurg as Vertumnus, 1591, oil on panel, 70 x 58 cm, Skokloster Castle[1]

Giuseppe Arcimboldo (1527-1593), Rudolf II of Habsurg as Vertumnus, 1591, oil on panel, 70 x 58 cm, Skokloster Castle[1]

Vertumnus is an oil painting produced by the Italian painter Giuseppe Arcimboldo in 1591 that consists of multiple fruits, vegetables and flowers that come together to create a portrait of Holy Roman Emperor Rudolf II.[2]

베르툼누스는 1591년 이탈리아 화가 주세페 아르침볼도가 그린 유화로, 여러 과일과 채소, 꽃으로 신성로마제국 황제 루돌프 2세의 초상화를 표현한 작품입니다.

Artist

Giuseppe Arcimboldo (1527-1593)

주세페 아르침볼도

Title

Vertumnus (Rudolf II of Habsurg as Vertumnus)

Object type

painting

Genre

portrait

Description

Depicted people: Vertumnus (Vortumnus), and Rudolf II (Tysk-romersk kejsare)

Depicted people

Vertumnus (베르툼누스)

Emperor Rudolf II

Date

1591

Medium

oil on panel

Dimensions

height: 70 x width: 58 cm

Collection

Skokloster Castle, Håbo Municipality, Sweden[3]

Vertumnus, 베르툼누스, 1591, 1590

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[1] https://commons.wikimedia.org/wiki/File:Vertumnus_%C3%A5rstidernas_gud_m%C3%A5lad_av_Giuseppe_Arcimboldo_1591_-_Skoklosters_slott_-_91503.tiff

[2] https://en.wikipedia.org/wiki/Vertumnus_(Arcimboldo)

[3] https://en.wikipedia.org/wiki/Skokloster_Castle

William-Adolphe Bouguereau, Virgin with Angels, 1881

William-Adolphe Bouguereau, Virgin with Angels, 1881

The Virgin with Angels (French: La Vierge aux anges), also known as The Song of the Angels is an oil painting executed in 1881 by the French artist William-Adolphe Bouguereau.[1]

William-Adolphe Bouguereau (1825-1905), Virgin with Angels, 1881, oil on canvas, 213.4 x 152.4 cm, Forest Lawn Museum, Glendale, California, US[2]

William-Adolphe Bouguereau (1825-1905), Virgin with Angels, 1881, oil on canvas, 213.4 x 152.4 cm, Forest Lawn Museum, Glendale, California, US

Artist

William-Adolphe Bouguereau (1825-1905)

Title

The Virgin of the angels (Song of Angels)

French: La Vierge aux anges

Genre

religious art

Description

The Virgin of the angels (Song of Angels)

Depicted people

Virgin Mary

Christ Child

Date

1881

Medium

oil on canvas

Dimensions

h: 213.4 x w: 152.4 cm

Collection

Forest Lawn Museum, Glendale, California, US

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[1] https://en.wikipedia.org/wiki/La_Vierge_aux_anges

[2] https://commons.wikimedia.org/wiki/File:William-Adolphe_Bouguereau_(1825-1905)_-_Song_of_the_Angels_(1881).jpg

Willem Roelofs (1822-1897), The Rainbow, 1875

Willem Roelofs (1822-1897), The Rainbow, 1875

Willem Roelofs (1822-1897), The Rainbow, 1875, oil on canvas, h 96.2 x w 147.7 cm, Kunstmuseum Den Haag, The Hague, Netherlands

Willem Roelofs (1822-1897), The Rainbow, 1875, oil on canvas, h 96.2 x w 147.7 cm, Kunstmuseum Den Haag, The Hague, Netherlands

Artist
Willem Roelofs (1822-1897)
빌렘 로엘로프스

Title
The rainbow
무지개

Object type
painting

Genre
landscape painting

Date
1875

Medium
oil on canvas

Dimensions
height 96.2 x width 147.7 cm

Collection
Kunstmuseum Den Haag, The Hague, Netherlands
헤이그 미술관