Arts in 1524
![]() |
| Dosso Dossi, Jupiter, Mercury and Virtue, 1524, oil on canvas, 111.3 x 150 cm, Wawel Castle, Poland |
Dosso Dossi, Jupiter, Mercury and Virtue, 1524, oil on canvas, 111.3 x 150 cm, Wawel Castle, Poland
Arts in 1524
![]() |
| Dosso Dossi, Jupiter, Mercury and Virtue, 1524, oil on canvas, 111.3 x 150 cm, Wawel Castle, Poland |
Dosso Dossi, Jupiter, Mercury and Virtue, 1524, oil on canvas, 111.3 x 150 cm, Wawel Castle, Poland
Jupiter in Arts
![]() |
![]() |
| Dosso Dossi, Jupiter, Mercury and Virtue, 1524, oil on canvas, 111.3 x 150 cm, Wawel Castle, Poland |
Dosso Dossi, Jupiter, Mercury and Virtue, 1524, oil on canvas, 111.3 x 150 cm, Wawel Castle, Poland
Arts in 1480
![]() |
| ์ฐ๋๋ก ๋ณดํฐ์ฒผ๋ฆฌ(Sandro Botticelli, c. 1445–1510), La Primavera (Spring), c. 1480, ํจ๋์ ํ ํ๋ผ(tempera on panel), 203 x 314 cm, ์ฐํผ์น๋ฏธ์ ๊ด(Galleria degli Uffizi, Florence) |
์ฐ๋๋ก ๋ณดํฐ์ฒผ๋ฆฌ(Sandro Botticelli, c. 1445–1510), La Primavera (Spring), c. 1480, ํจ๋์ ํ ํ๋ผ(tempera on panel), 203 x 314 cm, ์ฐํผ์น๋ฏธ์ ๊ด(Galleria degli Uffizi, Florence)
Jacques-Louis David
Jacques-Louis David (1748-1825) was a prominent French painter known for his Neoclassical style, which marked a shift away from the Rococo frivolity towards classical austerity and heightened emotion. His works, such as “Oath of the Horatii” and “The Death of Marat,” reflect his support for the French Revolution and his close association with revolutionary leaders like Maximilien Robespierre. Later, he became the official painter for Napoleon, developing the Empire style characterized by warm Venetian colors. David’s influence extended through his many pupils, making him a significant figure in early 19th-century French art.
์ํฌ ๋ฃจ์ด ๋ค๋น๋(1748-1825)๋ ์ ๊ณ ์ ์ฃผ์ ์์์ผ๋ก ์ ๋ช ํ ํ๋์ค์ ์ ๋ช ํ ํ๊ฐ๋ก, ๋ก์ฝ์ฝ์ ๊ฒฝ๋ฐํจ์์ ๋ฒ์ด๋ ๊ณ ์ ์ ์ธ ๊ธด์ถ๊ณผ ๊ณ ์กฐ๋ ๊ฐ์ฑ์ผ๋ก ์ ํํ ํ๊ฐ์ ๋๋ค. 'ํธ๋ผํฐ์ ๋งน์ธ'์ '๋ง๋ผํธ์ ์ฃฝ์'๊ณผ ๊ฐ์ ๊ทธ์ ์ํ์๋ ํ๋์ค ํ๋ช ์ ๋ํ ์ง์ง์ ๋ง์๋ฐ๋ฆฌ์ ๋ก๋ฒ ์คํผ์๋ฅด ๊ฐ์ ํ๋ช ์ง๋์๋ค๊ณผ์ ๊ธด๋ฐํ ๊ด๊ณ๊ฐ ๋ฐ์๋์ด ์์ต๋๋ค. ์ดํ ๊ทธ๋ ๋ํด๋ ์น์ ๊ณต์ ํ๊ฐ๊ฐ ๋์ด ๋ฐ๋ปํ ๋ฒ ๋ค์น์ ์์ฑ๊ฐ ํน์ง์ธ ์ ๊ตญ์ฃผ์ ์คํ์ผ์ ๋ฐ์ ์์ผฐ์ต๋๋ค. ๋ค๋น๋์ ์ํฅ๋ ฅ์ ๋ง์ ์ ์๋ค์ ํตํด ํ์ฅ๋์ด 19์ธ๊ธฐ ์ด ํ๋์ค ๋ฏธ์ ์ ์ค์ํ ์ธ๋ฌผ์ด ๋์์ต๋๋ค.
![]() |
| Jacques-Louis David, Cupid and Psyche, 1817, oil on canvas, 184.2 x 241.6 cm, Cleveland Museum of Art, Cleveland, Ohio |
Jacques-Louis David, Cupid and Psyche, 1817, oil on canvas, 184.2 x 241.6 cm, Cleveland Museum of Art, Cleveland, Ohio
“Love and Psyche,” also known as “Cupid and Psyche,” is an 1817 painting by Jacques-Louis David, currently housed in the Cleveland Museum of Art. Created during David’s exile in Brussels, the painting was commissioned by the patron and collector Gian Battista Sommariva. The artwork depicts the mythological figures Cupid and Psyche, exploring the conflict between idealized love and physical reality. David’s portrayal of Cupid as an ungainly teenager, rather than the traditional idealized adolescent, was a deliberate departure from conventional representations. This painting marked a significant shift in David’s style, incorporating realism and a more nuanced approach to mythological themes.
'ํํผ๋์ ํ์ฌ์ผ'๋ผ๊ณ ๋ ์๋ ค์ง '์ฌ๋๊ณผ ํ์ฌ์ผ'๋ ์ํฌ ๋ฃจ์ด ๋ค๋น๋์ 1817๋ ์ํ์ผ๋ก, ํ์ฌ ํด๋ฆฌ๋ธ๋๋ ๋ฏธ์ ๊ด์ ์์ฅ๋์ด ์์ต๋๋ค. ๋ค๋น๋๊ฐ ๋ธ๋คผ์ ์ ์์ ๋ ๊ทธ๋ฆฐ ์ด ๊ทธ๋ฆผ์ ํ์์์ด์ ์์ง๊ฐ์ธ ์ง์ ๋ฐํฐ์คํ ์๋ง๋ฆฌ๋ฐ์ ์๋ขฐ๋ก ์ ์๋์์ต๋๋ค. ์ด ์ํ์ ์ ํ ์ ์ธ๋ฌผ์ธ ํํผ๋์ ํ์์ผ๋ฅผ ๋ฌ์ฌํ์ฌ ์ด์ํ๋ ์ฌ๋๊ณผ ๋ฌผ๋ฆฌ์ ํ์ค ์ฌ์ด์ ๊ฐ๋ฑ์ ํ๊ตฌํฉ๋๋ค. ๋ฐ์ด๋น๋๋ ํํผ๋๋ฅผ ๊ธฐ์กด์ ์ด์ํ๋ ์ฒญ์๋ ์ด ์๋ ์ด์คํ ์ญ๋๋ก ๋ฌ์ฌํ๋๋ฐ, ์ด๋ ๊ธฐ์กด์ ํํ์์ ์๋์ ์ผ๋ก ๋ฒ์ด๋ ๊ฒ์ด์์ต๋๋ค. ์ด ๊ทธ๋ฆผ์ ์ฌ์ค์ฃผ์์ ์ ํ์ ์ฃผ์ ์ ๋ํ ๋ณด๋ค ๋ฏธ๋ฌํ ์ ๊ทผ ๋ฐฉ์์ ํตํฉํ์ฌ ๋ฐ์ด๋น๋์ ์คํ์ผ์ ์ค์ํ ๋ณํ๋ฅผ ๊ฐ์ ธ์์ต๋๋ค.
Arts in 1806
![]() |
| Constance Mayer (1775-1821), The Sleep of Venus and Cupid, 1806, oil on canvas, 97 x 145 cm, The Wallace Collection, London |
Constance Mayer (1775-1821), The Sleep of Venus and Cupid, 1806, oil on canvas, 97 x 145 cm, The Wallace Collection, London
Sleeping 2 (Sleep in Arts)
![]() |
| Constance Mayer (1775-1821), The Sleep of Venus and Cupid, 1806, oil on canvas, 97 x 145 cm, The Wallace Collection, London |
Constance Mayer (1775-1821), The Sleep of Venus and Cupid, 1806, oil on canvas, 97 x 145 cm, The Wallace Collection, London
Ladies in Arts
![]() |
| Albert Lynch (1860-1950), Portrait Of An Elegant Lady, Unknown, oil on canvas, 46.4 x 66 cm |
Albert Lynch (1860-1950), Portrait Of An Elegant Lady, Unknown, oil on canvas, 46.4 x 66 cm
Life 3 - Paintings
The newspaper
The drawing paper or
The canvas
On different bases
Crayons
Paint Colors or
Oil Colors
With different tools
We paint
Our own pictures of life
On the different backgrounds
With the different tools
We are the ones
Painting the pictures
With cheap materials
We can make
Crude but beautiful paintings
With expensive materials
We can make
Worthless and useless garbage
์ธ์ 3 - ๊ทธ๋ฆผ
๋๊ตฌ๋ ์ ๋ฌธ์ง
๋๊ตฌ๋ ๋ํ์ง
๋๊ตฌ๋ ์บ๋ฒ์ค
์๋ก ๋ค๋ฅธ ๋ฐํ ์์
๋๊ตฌ๋ ํฌ๋ ํ์ค
๋๊ตฌ๋ ๊ทธ๋ฆผ๋ฌผ๊ฐ
๋๊ตฌ๋ ์ ์ฑ๋ฌผ๊ฐ
์๋ก ๋ค๋ฅธ ๋๊ตฌ๋ก
์ฐ๋ฆฌ๋ ์ ๋ง๋ค
์ธ์์ด๋ผ๋ ๊ทธ๋ฆผ์ ๊ทธ๋ฆฐ๋ค
๋ฐํ์ด ๋ค๋ฅด๊ณ
๋๊ตฌ๋ ๋ค๋ฅด์ง๋ง
๊ทธ๋ฆผ์ ๊ทธ๋ฆฌ๋ ๊ฒ์
๋ด๊ฐ ๋๋ค
์ธ๊ตฌ๋ ค ์ฌ๋ฃ๋ก
ํฌ๋ฐํ์ง๋ง ์๋ฆ๋ค์ด ๊ทธ๋ฆผ์ด
๋์ฌ ์๋ ์๊ณ
๊ฐ๋น์ผ ์ฌ๋ฃ๋ก
ํ๋ญํฐ๊ธฐ์ ์ฐ๋ ๊ธฐ๊ฐ
๋์ฌ ์๋ ์๋ค
The Wallace Collection, Manchester Square, London, United Kingdom
The Wallace Collection is a museum in London occupying Hertford House in Manchester Square, the former townhouse of the Seymour family, Marquesses of Hertford. It is named after Sir Richard Wallace, who built the extensive collection, along with the Marquesses of Hertford, in the 18th and 19th centuries.
![]() |
| Constance Mayer (1775-1821), The Sleep of Venus and Cupid, 1806, oil on canvas, 97 x 145 cm, The Wallace Collection, London |
Constance Mayer (1775-1821), The Sleep of Venus and Cupid, 1806, oil on canvas, 97 x 145 cm, The Wallace Collection, London
![]() |
| Thomas Lawrence (1769-1830), Margaret, Countess of Blessington, 1822, oil on canvas, 91 x 67 cm, The Wallace Collection |
Thomas Lawrence (1769-1830), Margaret, Countess of Blessington, 1822, oil on canvas, 91 x 67 cm, The Wallace Collection
[1] https://en.wikipedia.org/wiki/Wallace_Collection
Marguerite Gardiner in Arts
![]() |
| Thomas Lawrence (1769-1830), Margaret, Countess of Blessington, 1822, oil on canvas, 91 x 67 cm, The Wallace Collection |
Thomas Lawrence (1769-1830), Margaret, Countess of Blessington, 1822, oil on canvas, 91 x 67 cm, The Wallace Collection