August 30, 2024

Arts in 1524

Arts in 1524


Dosso Dossi, Jupiter, Mercury and Virtue, 1524, oil on canvas, 111.3 x 150 cm, Wawel Castle, Poland

Dosso Dossi, Jupiter, Mercury and Virtue, 1524, oil on canvas, 111.3 x 150 cm, Wawel Castle, Poland


Jupiter in Arts

Jupiter in Arts


Dosso Dossi, Jupiter, Mercury and Virtue, 1524, oil on canvas, 111.3 x 150 cm, Wawel Castle, Poland

Dosso Dossi, Jupiter, Mercury and Virtue, 1524, oil on canvas, 111.3 x 150 cm, Wawel Castle, Poland



Arts in 1480

Arts in 1480


์‚ฐ๋“œ๋กœ ๋ณดํ‹ฐ์ฒผ๋ฆฌ(Sandro Botticelli, c. 1445–1510), La Primavera (Spring), c. 1480, ํŒจ๋„์— ํ…œํŽ˜๋ผ(tempera on panel), 203 x 314 cm, ์šฐํ”ผ์น˜๋ฏธ์ˆ ๊ด€(Galleria degli Uffizi, Florence)

์‚ฐ๋“œ๋กœ ๋ณดํ‹ฐ์ฒผ๋ฆฌ(Sandro Botticelli, c. 1445–1510), La Primavera (Spring), c. 1480, ํŒจ๋„์— ํ…œํŽ˜๋ผ(tempera on panel), 203 x 314 cm, ์šฐํ”ผ์น˜๋ฏธ์ˆ ๊ด€(Galleria degli Uffizi, Florence)



August 27, 2024

Jacques-Louis David

Jacques-Louis David

Jacques-Louis David (1748-1825) was a prominent French painter known for his Neoclassical style, which marked a shift away from the Rococo frivolity towards classical austerity and heightened emotion. His works, such as “Oath of the Horatii” and “The Death of Marat,” reflect his support for the French Revolution and his close association with revolutionary leaders like Maximilien Robespierre. Later, he became the official painter for Napoleon, developing the Empire style characterized by warm Venetian colors. David’s influence extended through his many pupils, making him a significant figure in early 19th-century French art.


์žํฌ ๋ฃจ์ด ๋‹ค๋น„๋“œ(1748-1825)๋Š” ์‹ ๊ณ ์ „์ฃผ์˜ ์–‘์‹์œผ๋กœ ์œ ๋ช…ํ•œ ํ”„๋ž‘์Šค์˜ ์ €๋ช…ํ•œ ํ™”๊ฐ€๋กœ, ๋กœ์ฝ”์ฝ”์˜ ๊ฒฝ๋ฐ•ํ•จ์—์„œ ๋ฒ—์–ด๋‚˜ ๊ณ ์ „์ ์ธ ๊ธด์ถ•๊ณผ ๊ณ ์กฐ๋œ ๊ฐ์„ฑ์œผ๋กœ ์ „ํ™˜ํ•œ ํ™”๊ฐ€์ž…๋‹ˆ๋‹ค. 'ํ˜ธ๋ผํ‹ฐ์˜ ๋งน์„ธ'์™€ '๋งˆ๋ผํŠธ์˜ ์ฃฝ์Œ'๊ณผ ๊ฐ™์€ ๊ทธ์˜ ์ž‘ํ’ˆ์—๋Š” ํ”„๋ž‘์Šค ํ˜๋ช…์— ๋Œ€ํ•œ ์ง€์ง€์™€ ๋ง‰์‹œ๋ฐ€๋ฆฌ์•™ ๋กœ๋ฒ ์Šคํ”ผ์—๋ฅด ๊ฐ™์€ ํ˜๋ช… ์ง€๋„์ž๋“ค๊ณผ์˜ ๊ธด๋ฐ€ํ•œ ๊ด€๊ณ„๊ฐ€ ๋ฐ˜์˜๋˜์–ด ์žˆ์Šต๋‹ˆ๋‹ค. ์ดํ›„ ๊ทธ๋Š” ๋‚˜ํด๋ ˆ์˜น์˜ ๊ณต์‹ ํ™”๊ฐ€๊ฐ€ ๋˜์–ด ๋”ฐ๋œปํ•œ ๋ฒ ๋„ค์น˜์•„ ์ƒ‰์ฑ„๊ฐ€ ํŠน์ง•์ธ ์ œ๊ตญ์ฃผ์˜ ์Šคํƒ€์ผ์„ ๋ฐœ์ „์‹œ์ผฐ์Šต๋‹ˆ๋‹ค. ๋‹ค๋น„๋“œ์˜ ์˜ํ–ฅ๋ ฅ์€ ๋งŽ์€ ์ œ์ž๋“ค์„ ํ†ตํ•ด ํ™•์žฅ๋˜์–ด 19์„ธ๊ธฐ ์ดˆ ํ”„๋ž‘์Šค ๋ฏธ์ˆ ์˜ ์ค‘์š”ํ•œ ์ธ๋ฌผ์ด ๋˜์—ˆ์Šต๋‹ˆ๋‹ค.


Jacques-Louis David, Cupid and Psyche, 1817, oil on canvas, 184.2 x 241.6 cm, Cleveland Museum of Art, Cleveland, Ohio

Jacques-Louis David, Cupid and Psyche, 1817, oil on canvas, 184.2 x 241.6 cm, Cleveland Museum of Art, Cleveland, Ohio


“Love and Psyche,” also known as “Cupid and Psyche,” is an 1817 painting by Jacques-Louis David, currently housed in the Cleveland Museum of Art. Created during David’s exile in Brussels, the painting was commissioned by the patron and collector Gian Battista Sommariva. The artwork depicts the mythological figures Cupid and Psyche, exploring the conflict between idealized love and physical reality. David’s portrayal of Cupid as an ungainly teenager, rather than the traditional idealized adolescent, was a deliberate departure from conventional representations. This painting marked a significant shift in David’s style, incorporating realism and a more nuanced approach to mythological themes.


'ํํ”ผ๋“œ์™€ ํ”„์‰ฌ์ผ€'๋ผ๊ณ ๋„ ์•Œ๋ ค์ง„ '์‚ฌ๋ž‘๊ณผ ํ”„์‰ฌ์ผ€'๋Š” ์žํฌ ๋ฃจ์ด ๋‹ค๋น„๋“œ์˜ 1817๋…„ ์ž‘ํ’ˆ์œผ๋กœ, ํ˜„์žฌ ํด๋ฆฌ๋ธ”๋žœ๋“œ ๋ฏธ์ˆ ๊ด€์— ์†Œ์žฅ๋˜์–ด ์žˆ์Šต๋‹ˆ๋‹ค. ๋‹ค๋น„๋“œ๊ฐ€ ๋ธŒ๋คผ์…€์— ์žˆ์„ ๋•Œ ๊ทธ๋ฆฐ ์ด ๊ทธ๋ฆผ์€ ํ›„์›์ž์ด์ž ์ˆ˜์ง‘๊ฐ€์ธ ์ง€์•ˆ ๋ฐ”ํ‹ฐ์Šคํƒ€ ์†Œ๋งˆ๋ฆฌ๋ฐ”์˜ ์˜๋ขฐ๋กœ ์ œ์ž‘๋˜์—ˆ์Šต๋‹ˆ๋‹ค. ์ด ์ž‘ํ’ˆ์€ ์‹ ํ™” ์† ์ธ๋ฌผ์ธ ํํ”ผ๋“œ์™€ ํ”„์‹œ์ผ€๋ฅผ ๋ฌ˜์‚ฌํ•˜์—ฌ ์ด์ƒํ™”๋œ ์‚ฌ๋ž‘๊ณผ ๋ฌผ๋ฆฌ์  ํ˜„์‹ค ์‚ฌ์ด์˜ ๊ฐˆ๋“ฑ์„ ํƒ๊ตฌํ•ฉ๋‹ˆ๋‹ค. ๋ฐ์ด๋น„๋“œ๋Š” ํํ”ผ๋“œ๋ฅผ ๊ธฐ์กด์˜ ์ด์ƒํ™”๋œ ์ฒญ์†Œ๋…„์ด ์•„๋‹Œ ์–ด์„คํ”ˆ ์‹ญ๋Œ€๋กœ ๋ฌ˜์‚ฌํ–ˆ๋Š”๋ฐ, ์ด๋Š” ๊ธฐ์กด์˜ ํ‘œํ˜„์—์„œ ์˜๋„์ ์œผ๋กœ ๋ฒ—์–ด๋‚œ ๊ฒƒ์ด์—ˆ์Šต๋‹ˆ๋‹ค. ์ด ๊ทธ๋ฆผ์€ ์‚ฌ์‹ค์ฃผ์˜์™€ ์‹ ํ™”์  ์ฃผ์ œ์— ๋Œ€ํ•œ ๋ณด๋‹ค ๋ฏธ๋ฌ˜ํ•œ ์ ‘๊ทผ ๋ฐฉ์‹์„ ํ†ตํ•ฉํ•˜์—ฌ ๋ฐ์ด๋น„๋“œ์˜ ์Šคํƒ€์ผ์— ์ค‘์š”ํ•œ ๋ณ€ํ™”๋ฅผ ๊ฐ€์ ธ์™”์Šต๋‹ˆ๋‹ค.



August 26, 2024

Arts in 1806

Arts in 1806


Constance Mayer (1775-1821), The Sleep of Venus and Cupid, 1806, oil on canvas, 97 x 145 cm, The Wallace Collection, London

Constance Mayer (1775-1821), The Sleep of Venus and Cupid, 1806, oil on canvas, 97 x 145 cm, The Wallace Collection, London


Sleeping 2 (Sleep in Arts)

Sleeping 2 (Sleep in Arts)


Constance Mayer (1775-1821), The Sleep of Venus and Cupid, 1806, oil on canvas, 97 x 145 cm, The Wallace Collection, London

Constance Mayer (1775-1821), The Sleep of Venus and Cupid, 1806, oil on canvas, 97 x 145 cm, The Wallace Collection, London


August 22, 2024

Ladies in Arts

Ladies in Arts


Albert Lynch (1860-1950), Portrait Of An Elegant Lady, Unknown, oil on canvas, 46.4 x 66 cm

Albert Lynch (1860-1950), Portrait Of An Elegant Lady, Unknown, oil on canvas, 46.4 x 66 cm



Life 3 - Paintings

Life 3 - Paintings


The newspaper

The drawing paper or

The canvas


On different bases


Crayons

Paint Colors or

Oil Colors


With different tools


We paint

Our own pictures of life


On the different backgrounds

With the different tools


We are the ones

Painting the pictures


With cheap materials

We can make

Crude but beautiful paintings


With expensive materials

We can make

Worthless and useless garbage


์ธ์ƒ 3 - ๊ทธ๋ฆผ


๋ˆ„๊ตฌ๋Š” ์‹ ๋ฌธ์ง€

๋ˆ„๊ตฌ๋Š” ๋„ํ™”์ง€

๋ˆ„๊ตฌ๋Š” ์บ”๋ฒ„์Šค


์„œ๋กœ ๋‹ค๋ฅธ ๋ฐ”ํƒ• ์œ„์—


๋ˆ„๊ตฌ๋Š” ํฌ๋ ˆํŒŒ์Šค

๋ˆ„๊ตฌ๋Š” ๊ทธ๋ฆผ๋ฌผ๊ฐ

๋ˆ„๊ตฌ๋Š” ์œ ์ฑ„๋ฌผ๊ฐ


์„œ๋กœ ๋‹ค๋ฅธ ๋„๊ตฌ๋กœ


์šฐ๋ฆฌ๋Š” ์ €๋งˆ๋‹ค

์ธ์ƒ์ด๋ผ๋Š” ๊ทธ๋ฆผ์„ ๊ทธ๋ฆฐ๋‹ค


๋ฐ”ํƒ•์ด ๋‹ค๋ฅด๊ณ 

๋„๊ตฌ๋„ ๋‹ค๋ฅด์ง€๋งŒ


๊ทธ๋ฆผ์„ ๊ทธ๋ฆฌ๋Š” ๊ฒƒ์€

๋‚ด๊ฐ€ ๋œ๋‹ค


์‹ธ๊ตฌ๋ ค ์žฌ๋ฃŒ๋กœ

ํˆฌ๋ฐ•ํ•˜์ง€๋งŒ ์•„๋ฆ„๋‹ค์šด ๊ทธ๋ฆผ์ด

๋‚˜์˜ฌ ์ˆ˜๋„ ์žˆ๊ณ 


๊ฐ’๋น„์‹ผ ์žฌ๋ฃŒ๋กœ

ํ•œ๋ญ‰ํ„ฐ๊ธฐ์˜ ์“ฐ๋ ˆ๊ธฐ๊ฐ€

๋‚˜์˜ฌ ์ˆ˜๋„ ์žˆ๋‹ค



August 21, 2024

The Wallace Collection, Manchester Square, London, United Kingdom

The Wallace Collection, Manchester Square, London, United Kingdom

The Wallace Collection is a museum in London occupying Hertford House in Manchester Square, the former townhouse of the Seymour family, Marquesses of Hertford. It is named after Sir Richard Wallace, who built the extensive collection, along with the Marquesses of Hertford, in the 18th and 19th centuries.


Constance Mayer (1775-1821), The Sleep of Venus and Cupid, 1806, oil on canvas, 97 x 145 cm, The Wallace Collection, London

Constance Mayer (1775-1821), The Sleep of Venus and Cupid, 1806, oil on canvas, 97 x 145 cm, The Wallace Collection, London


Thomas Lawrence (1769-1830), Margaret, Countess of Blessington, 1822, oil on canvas, 91 x 67 cm, The Wallace Collection

Thomas Lawrence (1769-1830), Margaret, Countess of Blessington, 1822, oil on canvas, 91 x 67 cm, The Wallace Collection



[1] https://en.wikipedia.org/wiki/Wallace_Collection



Marguerite Gardiner in Arts

Marguerite Gardiner in Arts


Thomas Lawrence (1769-1830), Margaret, Countess of Blessington, 1822, oil on canvas, 91 x 67 cm, The Wallace Collection

Thomas Lawrence (1769-1830), Margaret, Countess of Blessington, 1822, oil on canvas, 91 x 67 cm, The Wallace Collection